Noise in photos causes them to become grainy and lack fine detail. It’s especially apparent in images taken at higher ISOs, and even more so in the shadow areas of these images. Heavy-handed image editing can also lead to increased noise if you want to recover lost shadow details. But, there are tools that can help. In this project, we’ll explore some of the best on offer in Photoshop CC.
Noise reduction is always something of a balancing act, because it can come at the expense of fine detail. It would be easy to remove the noise from any image simply by blurring it, but who wants a blurry image? As such, we need tools that let us remove the noise but retain the sharpness. What’s more, we may only need to worry about keeping certain areas of the image sharp while other parts of the frame can withstand stronger noise reduction. Like sharpening, judgement is key. In general, a slightly noisy image will look better than one that looks too smooth and fake, and sometimes your images will benefit from more grain to even out the noise reduction throughout.
THE CAMERA RAW FILTER
この記事は PhotoPlus : The Canon Magazine の September 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は PhotoPlus : The Canon Magazine の September 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
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Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
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The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!