01 JACOBITE IN THE AUTUMN BY JON BROOK LINES IN THE LANDSCAPE COMMENDED
“It was one of those ‘sunshine and showers’ days. If the train had been on time, the whole scene would have been in the shadow of a cloud. As it happened, the viaduct was lit up just as the train crossed. I was lucky, but I was in the right position at the right time with the right settings on my Canon camera. Sometimes the more you plan, the luckier you get.”
Lens Canon EF 24-105mm f/4L IS II USM
Exposure 1/320 sec, f/6.3, ISO100
02 LIGHTNING STORM OVER JODRELL BANK BY MELVIN NICHOLSON LANDSCAPES AT NIGHT WINNER
“I arrived at Jodrell Bank at 1am, as a fierce lightning storm was fast approaching. Once I was in position inside the back of the van for protection, I set up my camera and sat there for four hours documenting the storm. The power and intensity of a full-blown lightning storm is exhilarating and humbling, as everything around you illuminates incredibly brightly. Lightning was flashing in every direction and in quick succession too.”
Lens Canon EF 24-70mm f/4L IS USM
Exposure 30 secs, f/4, ISO100
03 MILKY WAY AND AIRGLOW BY JENNIFER ROGERS LANDSCAPES AT NIGHT RUNNER UP
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The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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