My photography journey began on the opposite side of the lens. I began assisting photoshoots with makeup and hair, with the occasional dabble into modelling for friends as an outlet for creativity. My passion was always creating beautiful characters, pulling styling together for beautiful yet otherworldly portraits. One of my frustrations at the time was not having creative control over what was actually being shot - living in a small town in Northern England, the powerhouses of alternative photography tended not to be based near me, apart from a few whose time I couldn't monopolize! I started shooting self-portraits to create exactly what I wanted in an image, and never looked back.
As a total magpie, I love to use a lot of metallic elements in my photography, using them in tandem with gels and atmospheric elements to make for an interesting scene. Over the past few years I've also loved creating underwater portraiture, having partnered studio with underwater TankSpace many times.
Fast forward a decade or so, I am fortunate enough to now routinely work with some of the most amazing people in the industry to create art. My passion is primarily for moody portraiture, bold colour use, and interesting characters for my models to embody. With a particular love for corsetry and highly stylized wardrobe, every shot is intended primarily for the female gaze and to celebrate alternative culture.
この記事は PhotoPlus : The Canon Magazine の April 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は PhotoPlus : The Canon Magazine の April 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!