Our gun is trained on the doorway and our surviving teammate is skulking in the corner with a dagger, ready for any intruder that might try to scupper our chances in this virtual gameshow. Suddenly, the walls cave in, the ceiling collapses, and gunfire, explosions and expanding blobs of goo start to fill the room. We’ve made an elementary mistake, which is to treat The Finals like a conventional shooter.
Amplified destruction is just one of the twists introduced by this free-to-play first-person shooter from Embark Studios, the company founded in 2018 by veterans of DICE and the Battlefield series. “Sometimes it feels as if the game industry has been reskinning the same game over and over again,” the studio’s chief content officer, Rob Runesson, notes. “We actually said: ‘There must be things here nobody has tried’.” Where most shooters glue our eyes to the iron sights, The Finals has us scouring the world for opportunities to traverse, transform and weaponise it.
この記事は Edge UK の May 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Edge UK の May 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
NO MORE ROOM IN HELL 2
You're not alone in the dark
WINDBLOWN
Life after Dead Cells
COLLECTED WORKS - JOSH SAWYER
Journeying to the Forgotten Realms, Infinity and beyond with the RPG veteran
SCREENBOUND
Going deep in a mind-bending hybrid of perspectives
Trigger Happy
Shoot first, ask questions later
Grand strategist
Paradox's Mattias Lilja addresses the publisher's recent difficulties - and the plan to right the ship
Diablo IV
A progress report on the games we just can't quit
Ghosts 'n Goblins Resurrection
In Capcom's diabolical tribute, evil goes far deeper than the demons on the screen
SERENITY FORGE
How a near-death experience lit a fire in the Colorado-based developer and publisher
THE MAKING OF...ALIEN: ISOLATION
How a strategy-led studio built a survival horror masterpiece in Ridley Scott's image