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Lecter's astute observation applies equally well to audiophilia. Much of this hobby consists of coveting: before we own a component, we usually spend a long while imagining all the ways it will improve our lives.
And how do we begin to covet? In my case, my father's hi-fi introduced me to the practice of close listening. It was cobbled together from mostly Soviet-bloc gear, and the fact that it didn't sound particularly good was rather beside the point. What mattered was participating in his ritual of putting on a record, sitting down in front of the speakers, and sharing a contemplative experience. The illuminated altar created by his small stack of components still appears in my dreams.
While working at my first job, I was introduced to better sound by a colleague who became a lifelong friend. Boris listened to ProAc Future One floor standers driven by the gaudy-looking but lovely sounding VAC Renaissance Thirty/Thirty power amplifier, with bits converted by a dCS Purcell DAC. Boris listened mostly to classical CDs, and his system played them with nearly electrostatic clarity and remarkable ease, despite the well-known pitfalls of early digital sound.
Because of these formative experiences, I knew early on that close listening at home using perfectionist gear was something people did-and something I was going to pursue. While working with Boris, I haunted hi-fi salons for deals on used gear that would eventually replace my very modest college system. A lifelong interest was sparked.
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AURAL ROBERT
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