Producers Steve Albini and Michael Cuscuna, two key figures from the music world who departed in recent months, richly deserve to be celebrated.
Though they worked in widely disparate genres-Cuscuna primarily in jazz, Albini in punk and noise rock-they are connected by their extraordinary efforts and unfailing taste. Both were exacting, dedicated, and supremely talented. Without the passion and obsessive nature of this one-of-a-kind pair, such records as Nirvana's In Utero and Mosaic Records' boxed sets, including The Blue Note Hank Mobley Fifties Sessions, to name just two examples, would not exist. Cuscuna and Albini were guides and molders, shaping music and our perceptions of it.
Raised in Missoula, Montana, Steve Albini was into music early, playing in the Montana band Just Ducky before moving to Chicago to go to Northwestern University's Medill School of Journalism. While there, he wrote for various local 'zines that covered the punk-rock scene and spent time at a side hustle in a photography studio while continuing to play electric guitar and learn about sound. He described himself as the one guy in the band who "could explain to the sound man how loud we want the bass drum." His bands Big Black, and later Rapeman and Shellac, played noisy punk-rock and had small but devoted followings. Albini died 10 days before the release of Shellac's sixth album, To All Trains.
Already the engineer of choice for '90sera Chicago-area bands including Veruca Salt and Urge Overkill, Albini made his name when he recorded the Pixies' Surfer Rosa (1988) and The Wedding Present's Seamonsters (1991). In 1993, he engineered Rid of Me for PJ Harvey and In Utero for Nirvana. He opened his Chicago recordingstudio complex, Electrical Audio, in 1997.
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INSTANTLY ICONIC
AUDIO SALON HOST/ENTREPRENEUR/SYSTEM AND FASHION DESIGNER DEVON TURNBULL'S RECORD-BREAKING ART OF NOISE SHOWING AT SAN FRANCISCO MOMA.
Buckeye PURIFI EIGENTAKT 1ET9040BA1
Back in 2016,' I documented the rise of class-D amps using the early Tripath technology. Used in the Bel Canto eVo 200.2, TriPath cracked open the door to the High End but was never admitted due to a dim and opaque treble.
Moon 891
No less than eight boxes, powered by six after-market power cables, comprise my current reference front-end.'
Clearaudio Signature
The Clearaudio allowed each mix, each sonic artifact, to reveal its unique character.
Gryphon Audio Designs Diablo 333
What's in a name? Denmark-based Gryphon Audio Designs laid down a marker when company founder Flemming Rasmussen chose that name in 1985. Browsing through the current Stereophile Recommended Components list, I only found one other manufacturer that utilizes an animal moniker.
Phono Preamplifier Seduction
Give me the seduction, give me the pleasure,\" Ron Sutherland was nearly shouting into the phone. \"I want to turn off the analytical mind and just enjoy myself!\"
Record Player Revelations
Like romance or car racing, the act of playing records is tactile by design. Like drifting through curves or making out, spinning vinyl is a learned skill that requires users to touch everything with practiced assurance.
Taking Care of Business
As Jim Austin wrote in this space in the December 2024 issue, following a medical procedure that he had in mid-October, he needed to take several weeks' leave to recuperate. He delegated the magazine's production to Managing Editor Mark Henninger, AVTech Editorial Director Paul Miller, and myself. The three of us worked with copy editor Linda Felaco and longtime art director Jeremy Moyler to produce the issue you hold in your hands.
Estelon X Diamond Mk II
Taste is a funny thing. Love cilantro? Millions swear it tastes like soap.
German kitchens, Japanese amps, and Afropop gems
BRILLIANT CORNERS - I have a day job at a museum. One of my favorite things about working there is taking the elevator from my office down to one of the floors open to the public; I walk into the galleries through a discreet panel in the wall. This makes me feel like I'm in one of those horror-movie manors with a tunnel concealed behind a bookshelf. Sometimes I startle people, which I kind of enjoy.