BlackFlash Magazine - Issue 33.3

I denne utgaven

Filmmaker and writer Walter Forsberg talks to Aaron Zeghers about his expanded experimental documentary film "Holland, Man." based on the final days of his family's farm in our new feature, Studio.

Curator and writer India Rael discusses the Art Gallery of Greater Victoria's upcoming exhibition "Trans-Pacific Transmissions: Video Art Across the Pacific."

Artist and Curator Danielle St. Amour speaks on Charlotte Moth’s work and interviews Celia Perrin Sidarous about their simultaneous exhibitions last fall at the Esker Foundation in Calgary.

Visual arts critic and curator Stephen Horne discusses Yam Lau's recent video work.

Jean-Philippe Deneault looks at Stacey Tyrell's self-portrait series “Backra Bluid.”

Writer and art historian Denise Ryner discusses Manuel Piña-Baldoquín's video work Naufrago.

Documentary filmmaker Tasha Hubbard speaks to Tanya Lukin-Linklater about her multi media performance the the.

Jason Lazarus, a Florida based artist, educator, curator, and writer, follows up his Artist Folio from BlackFlash Issue 33.2 with an experimental manifesto entitled 33 meditations on photography.

Dagmara Genda presents her Artist Folio based on the work of Rachel Ruysch, a painter during Holland’s golden age of still-lifes.

BlackFlash Magazine Description:

BlackFlash Magazine is a platform for contemporary visual art.

BlackFlash is dedicated to presenting critical opinions, urgent issues, and innovative ideas about divergent artistic practices from across Canada, the United States and beyond. Each issue includes feature articles, profiles, interviews, and artist projects from a diverse selection of artists, writers, and curators. BlackFlash fosters a rich public engagement with image-based practices, such as photography and video as well as sound, performance and social practice by promoting energetic debate and showcasing diverse voices and communities (local, regional, national and international).

BlackFlash was founded in 1983 by the Saskatoon artist-run centre, The Photographer’s Gallery (TPG). We are currently working on our 38th year of publication, making us one of Canada’s longest running magazines. BlackFlash is proudly published, designed, and disseminated in Saskatoon, Saskatchewan, and is an internationally recognized resource and authority on Canadian and international contemporary art.

BlackFlash was created to promote contemporary photography and over its thirty-five year history, the magazine evolved, following the artistic trajectory of photo-based practice to include artists working with new technologies such as video and digital media. In its commitment to being responsive to artists and relevant to contemporary art practice, the magazine has recently broadened its editorial mandate, while affirming its distinctive prairie perspective.