TAKE on art - Issue 08, 2012

I denne utgaven

The biennale is the most widespread form of large-scale exhibition in the world today. It has already left the museum behind as the primary venue where an expanding global public can access the current manifestations and debates in contemporary art. Depending on which body of research you consult, there are between 200 and 250 biennales in existence, in varying states of animation and realised at different levels of scale and intensity. But certainly the number is growing, and while the traditional centres of biennale activity are situated in West Europe, most of the new biennales are located in the global South, in Asia, Africa and Latin America; and in the former Cold-War frontline states of East Europe and the Soviet Union’s successor states.

We have structured this issue as a symposium in several genres, so as to address various aspects of the biennial form, its contexts, achievements and possibilities.

We have not commented on this scene from the outside; rather, we have reflected on it with empathy as well as criticality, in the artisanal spirit of those who are all too keenly aware of the occupational hazards of the form, and yet remain optimistic about its potential to effect actual cultural and political transformation.

- Ranjit Hoskote
Excerpt from editorial essay

TAKE on art Magazine Description:

TAKE on art, the leading art magazine in India published bi-annually from New Delhi since 2009, comprehensively covers, reports and critiques art and cultural events from India and abroad. Led by Editor-in-Chief and Publisher, Bhavna Kakar, TAKE follows a critical approach to the larger discourse on art through curated issues with contributions by leading writers and critics from across the globe. The magazine has been invested in sustaining critical writing practices in India not just through its own capacity as a publication but also by organising initiatives that try to generate discourse, and keep conversations alive. In the past, the publication has organised writing workshops under the TAKE on Writing series as well as hosted the TAKE TALK series. Significant projects in this direction include TAKE on Residency, in collaboration with IFA at 1 Shanthi Road, Bangalore in 2013, TAKE on Writing, Critic-Community: Contemporary Art Writing at Sunaparanta Centre for the Arts, Goa in 2014 and more recently, Take on Writing - Critical Writing Ensemble (CWE) Baroda Chapter at the Faculty of Fine Arts, Maharaja Sayajirao University, Baroda in December 2015 and the CWE Dhaka Chapter, conceptualised by Katya Garcia Anton, in collaboration with OCA, Norway at the Dhaka Art Summit in 2016 supported by Pro Helvetia – Swiss Arts Council. The most recent TAKE on Writing initiatives included The Book – The New Writing Group, a workshop led by Chus Martínez and Ingo Niermann supported by Pro Helvetia – Swiss Arts Council and The Book – Ensemble, both held in New Delhi in December 2016.

The magazine has travelled internationally to events such as Art Basel, Art Basel HK, Art Basel Miami, Dhaka Art Summit and Asia Triennale Manchester, as well as collaborated with landmark events locally such as Experimenter Curator's Hub (2011 - 2016), Insert 2014, Sarai Reader 09: Episode 1, 2 and 3, Amrita Sher-Gil National Art Week and Delhi Photo Festival.