Tarun Tahiliani’s life was peripatetic from the very start. This was partly due to his naval officer father, who moved base (and in fact headed the Indian navy from 1984 to 1987), and his travelling education—a year squeezed in at St Stephen’s College, New Delhi, between Doon School in Dehradun and an MBA from Wharton.
But 1995 was the year Tahiliani made a decisive professional shift. He started his tiny production unit—six tailoring machines and one master cutter—in a cramped first-floor flat in south Delhi. It was the month of May and boiling hot, he remembers; and the move to New Delhi from his hometown in Mumbai, in hindsight, proved prescient. “Delhi had a cross-cultural view, access to the crafts belt of Rajasthan, Uttar Pradesh and Kashmir. The place breathed centuries of history and it had clearly defined seasons— people wore jamawar shawls in winter. There was no question in my mind that Delhi was the fashion capital of the country.”
From that modest beginning 25 years ago, the Tarun Tahiliani brand today encompasses luxury couture, bridal wear, and bespoke architecture and interior design. Yet the man behind the label has the effervescence and energy of a 21-year-old. The years melt away as the designer—now 57—recalls his trajectory in a captivating mix of candid observation, rib-tickling anecdote and no-holds barred opinion.
Denne historien er fra July - August 2020-utgaven av AD Architectural Digest India.
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Denne historien er fra July - August 2020-utgaven av AD Architectural Digest India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
IT TAKES A VILLAGE
IN A TRADITIONAL, OPEN-TO-SKY COURTYARD HOME IN ANEGUNDI, NEAR HAMPI, HERITAGE CONSERVATIONIST, PAINTER AND FOUNDER OF THE KISHKINDA TRUST, SHAMA PAWAR LIVES AND REVITALIZES CRAFT TRADITIONS BORN FROM THE LAND'S RICH PAST.
MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.
Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.
CLASSIC BEIRUT HERITAGE AND GLAMOUR
A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.
LAL KOTHI
TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.
ATELIERS DE FRANCE
More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.
ON THE EARTH
On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.
JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.
When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.
MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.
Art is made by a single individual for the enjoyment of another.
RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.
Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.
SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.
Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.
