I made myself a promise in the early 1960s. I had bought lots of rustic pottery bowls and dishes on Samos, and had a simple tin lantern welded together before my eyes in a Turkish market. One day, I was certain, there would be the right place in which to put them.
That day arrived about 10 years ago (circa 1985) as I wandered through a village in the Canary Islands with my friend and host Christophe Gollut. Spotting an open padlock on a heavy wooden door, and being naturally nosy, we pushed it open and let out yells of pleasure. I saw it, I loved it, I had ghastly cold feet and I came to an agreement with the mightily surprised owner of the ruin all on that same day.
What I now had on my hands was a double-fronted house with a fairly towny street facade, and a much more farm-like inner courtyard and sloping cobbled garden on to which every single room opened. The salon on the first floor gives on to a wide veranda shaded by the fine trelliswork screens (or celosías as they are known locally) that had caused Christophe and me to scream with delight on day one. God knows how the three families who had last occupied the place had managed with one tap, a few bare light bulbs dangerously strung about and alone earth closet, but the absence of these creature comforts was a blessing, since it meant that I could work out exactly what I needed and where it should be put. Not that drawing up an electrical plan and drainage system came naturally, and my forced logic in the matter has not proved entirely successful either.
Denne historien er fra October - November 2020-utgaven av AD Architectural Digest India.
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Denne historien er fra October - November 2020-utgaven av AD Architectural Digest India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
IT TAKES A VILLAGE
IN A TRADITIONAL, OPEN-TO-SKY COURTYARD HOME IN ANEGUNDI, NEAR HAMPI, HERITAGE CONSERVATIONIST, PAINTER AND FOUNDER OF THE KISHKINDA TRUST, SHAMA PAWAR LIVES AND REVITALIZES CRAFT TRADITIONS BORN FROM THE LAND'S RICH PAST.
MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.
Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.
CLASSIC BEIRUT HERITAGE AND GLAMOUR
A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.
LAL KOTHI
TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.
ATELIERS DE FRANCE
More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.
ON THE EARTH
On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.
JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.
When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.
MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.
Art is made by a single individual for the enjoyment of another.
RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.
Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.
SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.
Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.