Ruby City
AD Architectural Digest India|October 2019
David Adjaye’s latest work is a shining interpretation of late artist and collector Linda Pace’s dream for an arts centre in San Antonio, Texas
Gauri Kelkar
Ruby City

A blazing red, sharp-featured angular outcrop on 150 Camp Street in San Antonio self-confidently sprawls across 14,000 square feet. The Ruby City arts centre was built to fulfil the last wishes of the late Linda Pace, back in 2007, to create an enriching artistic hub for the city; the artist, collector and philanthropist succumbed to breast cancer that same year. Such was the specificity of detail of the building she had dreamed about, right down to the colour she wanted it to be in, that it was as good as made before it fell into a then-upcoming-architect David Adjaye’s hands, to be given form, structure and character. “Ruby City fits into a narrative that is incredibly important to me, making civic and social spaces that are about bringing in diverse constituents from the city and its visitors, a socially constructed architecture that can edify the community,” says the British-Ghanaian architect. Indeed, there have been few structures (new and old) of significance that have escaped his attention—the National Museum of African American Culture and History in Washington, DC, the Nobel Peace Center in Oslo, Norway, and closer home, the still-in-the-works silk weaving centre in Varanasi.

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Denne historien er fra October 2019-utgaven av AD Architectural Digest India.

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FLERE HISTORIER FRA AD ARCHITECTURAL DIGEST INDIASe alt
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AD Architectural Digest India

IT TAKES A VILLAGE

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AD Architectural Digest India

MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.

Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.

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CLASSIC BEIRUT HERITAGE AND GLAMOUR
AD Architectural Digest India

CLASSIC BEIRUT HERITAGE AND GLAMOUR

A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.

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LAL KOTHI
AD Architectural Digest India

LAL KOTHI

TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.

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ATELIERS DE FRANCE
AD Architectural Digest India

ATELIERS DE FRANCE

More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.

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ON THE EARTH
AD Architectural Digest India

ON THE EARTH

On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.

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JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.
AD Architectural Digest India

JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.

When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.

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MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.
AD Architectural Digest India

MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.

Art is made by a single individual for the enjoyment of another.

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RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.
AD Architectural Digest India

RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.

Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.

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SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.
AD Architectural Digest India

SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.

Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.

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