Maximilian Auer, a Stuttgart-based freelance digital and VFX artist currently finishing a diploma at Film Academy BadenWürttemberg, began creating retrowave-style art under the moniker of RETRIC DREAMS several years ago. He is constantly excited to take on new challenges and create unique worlds and visuals across graphics, animations, short films or music videos, and he invites anyone interested in working with him to get in touch via his website.
3D World caught up with Auer to get an inside look at his creative process and daily routine.
08:00am I usually start the morning by catching up with emails and any other social media comments or messages while preparing for the day. Also, I’ll have a look at the day's schedule and prioritise the tasks that need to be done. After getting a small breakfast, I put in some time to try and get some smaller tasks out of the way, whilst responding to emails and messages. After that, I’m ready to start the rest of the day.
09:30am Depending on the day, I either pursue my life as a student and attend a course at university, learning some new things, keeping up to date with what others are creating and meeting some of my fellow students. Or I’ll sit down at my own desk and start working on some of my running projects or client commissions. The morning is usually a good time for me to bring things up to date, such as starting to implement feedback into new versions or to spend a few focused hours working on tasks subsequent to the day before.
Denne historien er fra Christmas 2020-utgaven av 3D World UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra Christmas 2020-utgaven av 3D World UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
CGI creatures
Leading film creatives pick the VFX animals that have inspired them
Creating photorealistic visuals for Shōgun
The digital matte painting team at Goodbye Kansas Studios embrace a collaborative approach for the environments in Disney's miniseries
FaceBuilder
PRICE £18/$23 monthly / £180/$230 annual COMPANY Keen Tools WEBSITE keentools.io
Mars 4 Ultra
Elegoo has created quite the name for itself within the 3D printing community, with a loyal band of users singing the praises of its machines from the Mars range to the Saturn series, and also the quality of its resins.
Revodok Max 213
Although a new computer or the latest GPU are the obvious contenders for your cash, there are things that will offer big benefits even if they don’t have the same initial appeal, and a good dock is one of these.
DESIGN CHARACTERS INSPIRED BY HISTORY
Marco Teixeira explores a personal piece that resonates with Brazilian culture and influences to create an appealing portrait
HOW DO I MASTER MATERIALS IN KEYSHOT?
One of the best things about KeyShot is its ability to create and render realistic materials. When paired with beautiful lighting, product visualisations take on a whole new level of believability. When it comes to materials, KeyShot isn’t quite as advanced as some other rendering packages, but that doesn’t mean it isn’t still able to create some killer materials.
HOW DO I MAKE A REALISTIC JELLY MATERIAL IN BLENDER?
This issue’s Q&A is a real sweet treat, as I’m going to show you how to prepare a realistic jelly material in Blender – you’ll have to provide the strawberries and cream yourself though! This is a relatively straightforward procedural recipe and can be done in three quick minutes.
CRAFT UNIQUE MARIO FAN ART WITH A TEAM
Pejman Rajabi explains how his crew of expert artists put their own twist on a classic video game character
BLEND BUILDINGS AND NATURE IN A PEACEFUL SCENE
Find out how Navid Ahmadi combines a selection of assets from BlenderKit to create an awe-inspiring forest setting