Frankie Stellato has more than 14 years of experience as an animator, which he now channels into his role as animation supervisor at Digital Domain, one of the biggest and most well-respected studios in VFX. More recently Stellato has been putting superheroes in motion, earning himself credits on the likes of Aquaman, Ant-Man And The Wasp, Avengers: Infinity War and Spider-Man: Homecoming. His credits also include video game projects such as a live-action trailer for Assassin’s Creed: Odyssey. He has also devoted time to mentoring the next generation of animators, teaching them the ways of character animation using Autodesk’s Maya. 3D World caught up with Stellato recently to find out about his typical day-to-day routine.
8:00am Generally, I will start my day by catching up on some emails while I get ready for work. On my walk to the office I’ll half-listen to an audiobook while prioritising what tasks I need to tackle as soon as I get in, if there is any. Once in the office, I have somewhere between half an hour to an hour to get those tasks done and prepare for animation dailies.
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Denne historien er fra March 2020-utgaven av 3D World UK.
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CGI creatures
Leading film creatives pick the VFX animals that have inspired them
Creating photorealistic visuals for Shōgun
The digital matte painting team at Goodbye Kansas Studios embrace a collaborative approach for the environments in Disney's miniseries
FaceBuilder
PRICE £18/$23 monthly / £180/$230 annual COMPANY Keen Tools WEBSITE keentools.io
Mars 4 Ultra
Elegoo has created quite the name for itself within the 3D printing community, with a loyal band of users singing the praises of its machines from the Mars range to the Saturn series, and also the quality of its resins.
Revodok Max 213
Although a new computer or the latest GPU are the obvious contenders for your cash, there are things that will offer big benefits even if they don’t have the same initial appeal, and a good dock is one of these.
DESIGN CHARACTERS INSPIRED BY HISTORY
Marco Teixeira explores a personal piece that resonates with Brazilian culture and influences to create an appealing portrait
HOW DO I MASTER MATERIALS IN KEYSHOT?
One of the best things about KeyShot is its ability to create and render realistic materials. When paired with beautiful lighting, product visualisations take on a whole new level of believability. When it comes to materials, KeyShot isn’t quite as advanced as some other rendering packages, but that doesn’t mean it isn’t still able to create some killer materials.
HOW DO I MAKE A REALISTIC JELLY MATERIAL IN BLENDER?
This issue’s Q&A is a real sweet treat, as I’m going to show you how to prepare a realistic jelly material in Blender – you’ll have to provide the strawberries and cream yourself though! This is a relatively straightforward procedural recipe and can be done in three quick minutes.
CRAFT UNIQUE MARIO FAN ART WITH A TEAM
Pejman Rajabi explains how his crew of expert artists put their own twist on a classic video game character
BLEND BUILDINGS AND NATURE IN A PEACEFUL SCENE
Find out how Navid Ahmadi combines a selection of assets from BlenderKit to create an awe-inspiring forest setting
