This quote has directly affected the new work of artist Susan McDonnell, who will be showcasing her magical, highly realistic animal and wildlife paintings at Sullivan Goss. While her past collections have explored the intricacies of still life, she slowly expanded to include living elements.
The show title, A Quiet Nature, perfectly represents the feeling behind the work and even McDonnell’s artistic process. “That’s what a lot of what these paintings are about,” she explains. “These quiet encounters. I have these moments where everything stops and puts me in a place outside of language. You get really quiet and [the animals] are observing me too. It’s just this quiet place.”
Richard Louv, author of Our Wild Calling and a large influence on McDonnell’s work, furthers, “McDonnell follows a long tradition, from John James Audubon to Robert Bateman. She paints the mystery we can sense, but never fully understand, in the lives of the family of animals, of which we are members.”
Denne historien er fra May 2020-utgaven av American Art Collector.
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Denne historien er fra May 2020-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
