In the lead-up to Michael Carson’s upcoming show at Bonner David Galleries, we dropped by his Phoenix home to see his new work, and as he walked us up to a second-floor studio that overlooks his backyard and the Phoenix skyline, we had to shuffle through a thin layer of wood chips, the result of a recent tangent into wood carving, that were directly in front of his studio door.
![Art Forms](https://magarticles.magzter.com/articles/14327/315154/5bf7948645c24/Art-Forms.jpg)
Inside the studio were more surprises: a half-finished clay figure on a pedestal, designs for furniture, a small music corner—with drums, guitar, keyboard and recording equipment—and, as expected, an area dedicated to an easel and his paints. In every corner of his studio, even outside of it, Carson was devoting himself to the art of creation, in one form or another.
“I’ve been breaking up the painting with sculpting and wood carving. I enjoy experimenting with different surfaces, whether it’s carving, making music, designing furniture. It’s all a diversion that keeps the painting fresher,” Carson says, adding that, although he’s been working in many mediums, his new show will be exclusively paintings. “Right now with my painting I’m just trying to maintain the looseness and movement from the first half hour of painting. As soon as I get into the detail I get to a place where it’s not as active. So I’m trying to evolve my style where I can maintain that initial freshness and gestural feel, as well as a sense of freedom and movement as well.”
Denne historien er fra December 2018-utgaven av American Art Collector.
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Denne historien er fra December 2018-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
![Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.](https://reseuro.magzter.com/100x125/articles/14327/1733367/90Pl5et0z1720003194465/crp_Cicero-Institute-Miami-Dade-County-DeSantis-San-Francisco-homeless-housing-Shelter-street-life-homeless-people-Florida-unsheltered-people-camps.jpg)
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
![A City Perspective](https://reseuro.magzter.com/100x125/articles/14327/1405604/lLGtmdFma1694006753240/A-CITY-PERSPECTIVE.jpg)
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
![Living Legacy](https://reseuro.magzter.com/100x125/articles/14327/1405604/_EaVGEXu71694006644193/LIVING-LEGACY.jpg)
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
![Elegant yet Approachable](https://reseuro.magzter.com/100x125/articles/14327/1405604/lkjVtZJct1694006517075/ELEGANT-YET-APPROACHABLE.jpg)
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
![Figuratively Speaking](https://reseuro.magzter.com/100x125/articles/14327/1405604/rF8volrMV1694006411788/FIGURATIVELY-SPEAKING.jpg)
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
![JAMES AYERS: The Importance of Play](https://reseuro.magzter.com/100x125/articles/14327/1405604/eJwRqjq8J1694006272005/JAMES-AYERS-THE-IMPORTANCE-OF-PLAY.jpg)
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
![GINA MINICHINO: Playing with Food](https://reseuro.magzter.com/100x125/articles/14327/1405604/ryalMLMhE1694006146694/GINA-MINICHINO-PLAYING-WITH-FOOD.jpg)
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
![Island Light](https://reseuro.magzter.com/100x125/articles/14327/1405604/X3zMZtXXC1694006022631/ISLAND-LIGHT.jpg)
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
![Solitary Forms](https://reseuro.magzter.com/100x125/articles/14327/1405604/zbAhlu_pm1694005925536/SOLITARY-FORMS.jpg)
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
![Living the Dream](https://reseuro.magzter.com/100x125/articles/14327/1405604/L6U5oXux21694005782819/LIVING-THE-DREAM.jpg)
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.