It comes as no surprise that such vulnerable and passionate art would come from an artist who bears those same traits.
Patrick Church is a New York-based artist who I have actually featured once before in this column back in October 2015. Church’s work has since, aggrandized in volume, concept and has caught the attention of famous singers and other artists from around the world.
I had the pleasure of speaking to Church on the phone after the interview. I gained more insight into the artist behind this unceasingly spontaneous, poignant and passionate work he turns out as fast as someone who seems to live every day like it’s his last.
Hey Patrick! How are you today? Is it as hot in NY as it is in LA? I’m so happy to be interviewing you for a second time! Your work has changed so much over the last several years. Can you talk a little about that?
Hey! I love that we are doing this again. Yes, everything is changing and evolving so much I don’t know how to even explain it or really express how I’m feeling about it. Change is good and yet, also hard at times. Everything feeling so different. Not in a bad way, just…different.
Well what has changed in your life since our last interview. Any major milestones?
Well, I met the love of my life, the most wonderful man in the world. He changed everything. We got married and it’s been the biggest journey. Life feels so different right now. I feel like I’m suddenly able to explore creativity in a completely new and different way.
What do you mean by “completely”? Can you elaborate? Also, CONGRATS! You know I’ve seen the two of you. The most handsome couple if I do say so myself!
Denne historien er fra September 2018-utgaven av American Art Collector.
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Denne historien er fra September 2018-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.
