Driving down a suburban street might feel like a mundane act for many, but for Sarah Williams it can be an exhilarating exploration of her favorite subjects.
Particularly at night when her car’s headlights rake against trees and send shadows whipping across the fronts of homes set back within green yards and nestled within night’s embrace.
The artist, who’s based in Springfield, Missouri, ties much of her current work to time spent in the Dallas area, where she was pursuing a master’s degree from the University of North Texas. Living in a sprawling metropolis like Dallas made her miss the more rural lifestyle of Missouri. “I understand now that I was really homesick. So I began working with nostalgic imagery from my childhood in north Missouri. I realized how important those places had become to me,” Williams says. “I love this idea of little towns spread out with 30 miles of farmland between them. They really give you a sense of place and time, especially when you compare it to a place like Dallas, where there is so much prefabrication and a McDonald’s on every corner. You can get lost in that.”
Denne historien er fra June 2019-utgaven av American Art Collector.
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Denne historien er fra June 2019-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.
