This July, Meyer Gallery in Park City, Utah, will explore the human figure and spirit with a two-artist show featuring the work of figurative painter Britton Snyder and sculptor Spencer Budd.
As a gymnastics instructor at Brigham Young University, Budd possesses an astute understanding of human anatomy— both in form and movement—which showcases richly in his artwork.
“From the time I first began drawing from a model over 35 years ago, my work has been inspired by the infinite movement and positions of the body,” he says. “A sculpture or drawing will be different with every model, even in the same pose. Observing these unique relationships of form, proportions, angles and masses that define the nature of the individual gestalt energizes me.”
Among the works Budd will exhibit in the show is Celestial Material II, a bronze head shaped as if it were wrapped in fabric—like a mummy—with the “exposed flesh being removed, left void.” Budd elaborates, “This series emphasizes the temporal nature of existence—the physical, visual outer part of the human form is only part of the whole. There is an unseen, spiritual element that underlies and gives form to who we are.”
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Denne historien er fra July 2019-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.