Working in a coffee shop, Erin Currier was fascinated with the amount of trash the shop produced.
She began making portraits of local people as buddhas, their clothing and backgrounds composed of the shop’s detritus. She portrayed regular people—day laborers and people who perform the lowliest of tasks—not the dignitaries and royalty usually associated with portraits.
She and her late husband, Anthony Hassett, saved up their money and began a series of world travels, meeting and living among the common people of the countries they visited—and collecting trash. Based on her experiences and her detailed sketchbooks, she returned to her studio and painted portraits of the people she had met adding bits of trash either for color or with cryptic texts which, taken out of context, had a special connection with the subject. Her subjects have been a combination of workers, people who are involved in “the struggle for human rights,” many of whom are “women with no voice.”
Denne historien er fra September 2019-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Denne historien er fra September 2019-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
