It feels like democracy is transitioning into some other state. The countervailing forces have almost no remaining institutional anchor. For a moment let us not give this spiral here and elsewhere a name or a direction. We may not yet know how to a name a political value higher than democracy, brutally defined, with increasing degrees of brutality, as the rule of the majority. And what is the opposite of brutality? It is not fully clear. So let us think aloud across our respective domains. Is it still possible to think in a minor key? Thinking, we might say, is partly a luxury; call it an activity for those not yet beheaded. The head though is not the only organ of thought. Where else is thought crafted? Let us say that galleries are one among such spaces of craft, partly but not only beholden to their patrons, sharing with universities the relatively abstract task of bildung, a continuing education, what some philosophers call a sentimental education. What is currently occurring in such spaces, in the shaping of materials and sentiments?
Denne historien er fra January 2020-utgaven av Art India.
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Denne historien er fra January 2020-utgaven av Art India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Parts, Wholes And The Spaces In Between
Sonal Sundararajan introduces Samira Rathod's free-spirited and rebellious explorations in the world of architecture, furniture and design.
"The Fine Art of Going to the Pictures."
Dr. Banerjee in Dr. Kulkarni's Nursing Home at Chemould Prescott Road brings together 26 paintings featuring a series of dramatic scenes from Hindi and Bengali films. In conversation with Abhay Sardesai, artist Atul Dodiya talks about childhood trips to movie halls, painted figures gripped by tension, and the closeness and remoteness of cinematic images.
"To Finally Have Something of Your Own to Mine."
Dayanita Singh is the recipient of the coveted 2022 Hasselblad Award. Keeping the photograph at the centre, she speaks to Shreevatsa Nevatia about books, book objects, photo novels, exhibitions and museums.
OF DIVINE LOSS
Shaurya Kumar explores the relationship between the subject and object of devotion, finds Aranya.
THE PAST AND ITS SHADOWS
Neha Mitra visits two shows and three artists in Mumbai.
FORCE OF NATURE
Alwar Balasubramaniam dwells on absences and ephemeralities in his new work, states Meera Menezes.
SHAPES OF WATER
Devika Sundar's works delineate the murky, malleable boundaries between the human body and the organic world, says Joshua Muyiwa.
INTIMATIONS OF INTIMACY
Sunil Gupta shares his journey with Gautami Reddy.
THE FRACTURED PROSPECT
Nocturnal landscapes as ruins in the making? Adwait Singh looks at Biraaj Dodiya's scenes of loss.
TEETERING BEYOND OUR GRASP
Meera Menezes traces Mahesh Baliga's journey from Moodabidri to London.