Where it’s night all day, and a disorienting maze of dimly-lit tunnels robs men of their identity and beasts of their sturdy resilience. Where, as Tagore poignantly expresses in Raktakarabi (Red Oleanders), miners are reduced to nameless numbers and letters. There, in the sunless dungeons of coal mines, Prabhakar Pachpute’s art is fired.
Born and raised in a region of coal mines and cotton fields in Maharashtra, Pachpute has seen up close how dehumanizing mining can be, how it violates the earth and poisons the air and forces farming communities to migrate to other livelihoods and lives elsewhere.
It’s hardly surprising, therefore, that Pachpute’s imagery has the palpable simmer of an activist’s anger and a romantic’s despair over loss of nature’s wealth and man’s humanity, of the traditional bonding of earth and hearth that accompanied the geographic anchoring of cultures, of the past and of memory.
Denne historien er fra July 2020-utgaven av Art India.
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Denne historien er fra July 2020-utgaven av Art India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Parts, Wholes And The Spaces In Between
Sonal Sundararajan introduces Samira Rathod's free-spirited and rebellious explorations in the world of architecture, furniture and design.
"The Fine Art of Going to the Pictures."
Dr. Banerjee in Dr. Kulkarni's Nursing Home at Chemould Prescott Road brings together 26 paintings featuring a series of dramatic scenes from Hindi and Bengali films. In conversation with Abhay Sardesai, artist Atul Dodiya talks about childhood trips to movie halls, painted figures gripped by tension, and the closeness and remoteness of cinematic images.
"To Finally Have Something of Your Own to Mine."
Dayanita Singh is the recipient of the coveted 2022 Hasselblad Award. Keeping the photograph at the centre, she speaks to Shreevatsa Nevatia about books, book objects, photo novels, exhibitions and museums.
OF DIVINE LOSS
Shaurya Kumar explores the relationship between the subject and object of devotion, finds Aranya.
THE PAST AND ITS SHADOWS
Neha Mitra visits two shows and three artists in Mumbai.
FORCE OF NATURE
Alwar Balasubramaniam dwells on absences and ephemeralities in his new work, states Meera Menezes.
SHAPES OF WATER
Devika Sundar's works delineate the murky, malleable boundaries between the human body and the organic world, says Joshua Muyiwa.
INTIMATIONS OF INTIMACY
Sunil Gupta shares his journey with Gautami Reddy.
THE FRACTURED PROSPECT
Nocturnal landscapes as ruins in the making? Adwait Singh looks at Biraaj Dodiya's scenes of loss.
TEETERING BEYOND OUR GRASP
Meera Menezes traces Mahesh Baliga's journey from Moodabidri to London.