Anupa Mehta. 2022.
In retrospect, my appointment as the first editor of The Art News Magazine of India was entirely serendipitous. The magazine's genesis too, to my mind, can be attributed more to chance and impulse rather than deep thought and planning.
The year was 1996. A young Sangita Jindal had initiated a multi-disciplinary art centre, Jindal Arts Creative Interaction Centre (JACIC), at the National Centre for the Performing Arts (NCPA), Mumbai. Given that I had a degree in Literature, and training in Journalism and Arts management, as well as an interest in the Performing arts, I was invited to oversee JACIC, under the supervision of 'Bai' Vijaya Mehta, the doyenne of Marathi theatre.
Two years in, Sangita brought up the idea of an art magazine. The hack in me rose at the opportunity. Many in the art world were sceptical. The unspoken question seemed to be: 'How could a young patron and an equally young editor, backed by a corporate house, even dream of setting up an art journal?' I took it upon myself to clarify that our vision was to bring out an 'accessible magazine' for the visual arts in India.
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Denne historien er fra March 2022-utgaven av Art India.
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Parts, Wholes And The Spaces In Between
Sonal Sundararajan introduces Samira Rathod's free-spirited and rebellious explorations in the world of architecture, furniture and design.
"The Fine Art of Going to the Pictures."
Dr. Banerjee in Dr. Kulkarni's Nursing Home at Chemould Prescott Road brings together 26 paintings featuring a series of dramatic scenes from Hindi and Bengali films. In conversation with Abhay Sardesai, artist Atul Dodiya talks about childhood trips to movie halls, painted figures gripped by tension, and the closeness and remoteness of cinematic images.
"To Finally Have Something of Your Own to Mine."
Dayanita Singh is the recipient of the coveted 2022 Hasselblad Award. Keeping the photograph at the centre, she speaks to Shreevatsa Nevatia about books, book objects, photo novels, exhibitions and museums.
OF DIVINE LOSS
Shaurya Kumar explores the relationship between the subject and object of devotion, finds Aranya.
THE PAST AND ITS SHADOWS
Neha Mitra visits two shows and three artists in Mumbai.
FORCE OF NATURE
Alwar Balasubramaniam dwells on absences and ephemeralities in his new work, states Meera Menezes.
SHAPES OF WATER
Devika Sundar's works delineate the murky, malleable boundaries between the human body and the organic world, says Joshua Muyiwa.
INTIMATIONS OF INTIMACY
Sunil Gupta shares his journey with Gautami Reddy.
THE FRACTURED PROSPECT
Nocturnal landscapes as ruins in the making? Adwait Singh looks at Biraaj Dodiya's scenes of loss.
TEETERING BEYOND OUR GRASP
Meera Menezes traces Mahesh Baliga's journey from Moodabidri to London.