Diana Armfield
Artists & Illustrators|Summer 2021
The Royal Academician tells ANDREW LAMBIRTH about the joys of the Welsh landscape, her “special time” to paint, and why she’s still learning new lessons at the age of 101
ANDREW LAMBIRTH
Diana Armfield

Born in 1920, Diana Armfield was a late starter as a painter. Although she attended three art schools (Bournemouth, The Slade, and the Central School of Art and Design), she studied to be a designer, not a painter. She duly set up a successful design practice, in 1947, with Roy Passano, designing and printing textiles, both by block and screen, and designing wallpapers. In the 1950s, she also found work as a teacher, first at the Central in the textile department, and later at Byam Shaw School of Art teaching drawing – landscape, mostly. But it was not until 1965, when she was asked to teach painting, that she herself began to paint – at the age of 45. Before that, remarkable as this seems, she had never even experimented with oils.

Diana is clear about the differences between the two disciplines: “To design textiles or wallpaper is to make a background, whereas I hope my work [as a painter] will attract attention and then hold it. So, the object is different, which means the solutions are different. But you still have to pose the same questions. They’re very close in the way of needing artistry and dexterity.”

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FLERE HISTORIER FRA ARTISTS & ILLUSTRATORSSe alt
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Artists & Illustrators

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Movement in composition
Artists & Illustrators

Movement in composition

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6 mins  |
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Shane Berkery
Artists & Illustrators

Shane Berkery

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The Working Artist
Artists & Illustrators

The Working Artist

Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work

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Washes AND GLAZES
Artists & Illustrators

Washes AND GLAZES

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7 mins  |
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Hands
Artists & Illustrators

Hands

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7 mins  |
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Vincent van Gogh
Artists & Illustrators

Vincent van Gogh

To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display

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BRING THE drama
Artists & Illustrators

BRING THE drama

Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene

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7 mins  |
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Serena Rowe
Artists & Illustrators

Serena Rowe

The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall

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8 mins  |
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Bill Jacklin
Artists & Illustrators

Bill Jacklin

Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration

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8 mins  |
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