Ananya Kasaravalli brings in a rare form of sensitivity with her debut film – Harikatha Prasanga (The Chronicles of Hari) – that traverses the murky waters of mythology and gender with grace and confidence
When Ananya Kasaravalli speaks, her words are measured, like they are standing one behind the other maintaining perfect one-arm distance. Nothing is said in haste, there are no digressions, and no unnecessary long pauses. It is as if cyclical thought processes have found their rhythm in her words, and there is a special kind of allure to the cadence that it then brings, evident, in abundance – visually and narratively – in her debut Kannada film, Harikatha Prasanga (The Chronicles of Hari). Much as the film itself, I found the interview too an immersive experience and I realised that this Kasaravalli was entirely different from the other, senior Kasaravalli – her father, Padmashri Girish Kasaravalli, winner of the National Award 14 times. If her father’s films found its powers in the lyricism of subversion in the every day, then the daughter’s film finds its powers in the crippling pathos of allusion in the every day. Ananya might have had an overwhelming legacy to carry and the privilege that comes with it, but she stays true to the only thing that matters – the story.
Denne historien er fra Aprill - May 2018-utgaven av Arts Illustrated.
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Denne historien er fra Aprill - May 2018-utgaven av Arts Illustrated.
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A Sky Full Of Thoughts
Artist James Turrell’s ‘Twilight Epiphany Skyspace’ brings together the many nuances of architecture, time, space, light and music in a profound experience that blurs boundaries and lets one roam free within their own minds
We Are Looking into It
Swiss-based artists Jojakim Cortis and Adrian Sonderegger talk to us about the evolving meaning and purpose of photography and the many perspectives it lends to history
Cracked Wide Open
Building one of the world’s largest domes was no mean task for anyone, let alone an amateur goldsmith, so how did Filippo Brunelleschi accomplish building not one, but two of them?
In Search of a Witness
In conversation with legendary artist Arpana Caur on all things epiphanic, on all things pandemic, and on all things artistic
Where the Shadows Speak
The founder of Sarmaya Arts Foundation takes us through the bylanes of his journey with Sindhe Chidambara Rao, the custodian of the ancient art form of shadow puppetry – Tholu Bommalata
Bodies in Motion
What happens to the memory of a revelatory experience when it is re-watched through the frames of a screen? It somehow makes the edges sharper and the focal point clearer, as we discover through Chandralekha’s iconic Sharira
Faces in the Water
As physical ‘masks’ become part of our life, we take a look at artists working with different aspects of ‘faces’ and the things that lurk beneath the surface.
A Meeting at the Threshold
The immortal actor exemplified all that is admirable about his profession, from his creative choices to his work philosophy, and his passing was a low blow. This is our tribute to the prince among stars – Irrfan
The Imperfect Layout To The Imperfect Mystery
Jane De Suza’s ‘The Spy Who Lost Her Head’ doesn’t feature a protagonist with superhuman skills of deduction, nor a plot that fits together like a jigsaw puzzle. Here, quirks and imperfections are pushed into the spotlight
Free and Flawed
Greta Gerwig revitalises the literary classic, Little Women, highlighting the literary journey of its temperamental and wonderfully flawed female protagonist, Jo March
