Seeing the Signs
International Artist|June - July 2020
A love of typography led Stephanie Schechter to paint signage that can serve as reminders of a place and time
Stephanie Schechter
Seeing the Signs

Why signs? I am often asked this question. The answer is partially a love of typography and design, but also a need to document history. I majored in industrial design at RISD and settled in Rhode Island after graduating in 1994. Around the time I graduated, I noticed some of my favorite old buildings were being demolished for new development, which sparked an interest in historic preservation. I was also at the beginning of my design career, and soon realized I had more to express than is possible with design alone. I longed to make art.

I began to paint and quickly focused on using painting as a medium to document the buildings that I loved. As my painting progressed, I started to hone in on the signs on these buildings. I’ve always had a love of typography, and I began to develop an interest in vintage signs in particular. As my interest in signs grew, I began to see commercial signs as symbolic of more than the words on their surface. I started to recognize them as reminders of a community’s culture and history, the evolution of commerce, design and manufacturing trends, impermanence and obsolescence. I also developed an appreciation for the artistry of the sign makers.

Denne historien er fra June - July 2020-utgaven av International Artist.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

Denne historien er fra June - July 2020-utgaven av International Artist.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

FLERE HISTORIER FRA INTERNATIONAL ARTISTSe alt
Fresh Eyes
International Artist

Fresh Eyes

Anna Rose Bain discusses the passions of being an artist and helping students transform their own work

time-read
3 mins  |
October/November 2024
The Next Level
International Artist

The Next Level

Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects

time-read
2 mins  |
October/November 2024
Wild Spirit
International Artist

Wild Spirit

Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom

time-read
2 mins  |
October/November 2024
The Bridge Between
International Artist

The Bridge Between

Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination

time-read
2 mins  |
October/November 2024
The Color Continuum
International Artist

The Color Continuum

Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes

time-read
3 mins  |
October/November 2024
Points of Precision
International Artist

Points of Precision

A strong focal point and attention to detail make Nicola Jane's artwork jump off the page

time-read
3 mins  |
October/November 2024
BE YOURSELF
International Artist

BE YOURSELF

Harley Brown's fascinating things no one else will tell you

time-read
4 mins  |
October/November 2024
JEFFREY T. LARSON
International Artist

JEFFREY T. LARSON

Expertly Putting the Pieces Together

time-read
4 mins  |
October/November 2024
Hot-Blooded
International Artist

Hot-Blooded

Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds

time-read
2 mins  |
October/November 2024
Adam Clague Incandescence
International Artist

Adam Clague Incandescence

Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within

time-read
2 mins  |
October/November 2024