As with many artists, Covid-19 disrupted and changed Lily Wong's practice. Her figures, once rendered tiny and placed in maze-like environments, began to fill the frame, twisting and swelling into their own claustrophobic architecture. Color began to exert an intense, metaphorical force, often glowing and luminous. The works on paper grew in size, doubling and tripling in surface area, while Wong's intricate process of mark-making and building up of the paint grew in an exponential complexity. This partially portrays the power these figures and narratives possess, but the impetus is Wong herself, as deep and considerate a thinker as she is a deft creator. We met in her Greenpoint studio in early June to discuss her influences and concerns, as well as the major changes the past year, has made to her practice.
Anthony Cudahy: So I watched Happy Together last night, and actually you said you hadn’t seen that one?
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Denne historien er fra Fall 2021-utgaven av JUXTAPOZ.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Noelia Towers
Empathy and Enlightenment
Nehemiah Cisneros
Legend of a Wicked City
Joy Yamusangie
Primary Colors
rafa esparza
A Sense of Generosity
Eric Yahnker
The Serious Side of a Joke
Ivy Haldeman
Notions of Slippage
Timothy Lai
Painted Syncopation
Katherine Bernhardt
Everlasting Butter
Sabrina Bockler
Conversing From Within
The Burn to Rebirth
Valencia, Spain During Fallas