Guy de la Bédoyère charts the rise and fall of the formidable and privileged Praetorian Guard who were paid to serve as the elite bodyguard of Roman emperors but who might equally well turn on their masters if, and when, they chose to do so.
Members of Rome’s Praetorian Guard were all-powerful – emperor-makers and breakers. They were the highest paid soldiers in the whole Roman army. They also enjoyed shorter service terms and better discharge grants. When they retired they could re-enlist or return home to bask in the fame and glory of having once served in the most prestigious arm of the greatest military force in antiquity. They were also spoiled, greedy and self-serving popinjays who could, if the circumstances were right, change the course of history for the sake of a pay rise or the chance to rid themselves of an emperor who had the temerity to try to put them in their place.
The Guard’s origins mainly lay in the heady days of the late Republic in the 1st century BC though the idea had existed for some time before. This was the age of civil war, fought out by the imperators, Roman generals with armies bonded to them through personal loyalty rather than to the state, although some, like Caesar, considered the idea of a personal bodyguard as a sign of weakness.
After Caesar’s assassination in 44 BC Mark Antony and Octavian, rivals then colleagues in the Triumvirate charged with taking charge of and settling the Roman state, saw the possession of an elite unit of troops dedicated to their security as a badge of prestige. Soon no self-respecting Roman general would be seen without a praetorian guard. The word originated in the term for a general’s tent, the praetorium.
Denne historien er fra March/April 2017 Volume 28 Number 2-utgaven av Minerva.
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Denne historien er fra March/April 2017 Volume 28 Number 2-utgaven av Minerva.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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ROMAN DISCOVERIES AT ANCIENT AUGUSTODUNUM
More than 230 graves have been uncovered at a necropolis in the French city of Autun, revealing a diverse mix in burial practices over a period of nearly 200 years, as well as luxury grave goods from the 3rd and 4th centuries AD that highlight the wealth of some of its ancient inhabitants.
SHAPING THE WORLD: SCULPTURE FROM PREHISTORY TO NOW
The sculptor Antony Gormley and the art historian and critic Martin Gayford have been talking about sculpture with each other for 20 years.
Amelia Edwards (1831-1892)
“I am essentially a worker, and a hard worker, and this I have been since my early girlhood.”
THE GREAT BEYOND
The ancient Greeks thought much about the dead – how their remains should be disposed of, how their spirits might be summoned, how malignant they could be if unavenged. Classicist David Stuttard brings us face to face with the Greek dead.
INTO THE VALLEY OF THE QUEENS
The Great Royal Wife of Ramesses II, Nefertari, was buried in one of the most spectacular tombs of Egypt’s Valley of the Queens. Well-educated and well-travelled, Nefertari played a crucial part in the political life of the pharaoh, and her importance was reflected through her magnificently decorated tomb. Lucia Marchini speaks to Jennifer Casler Price to find out more.
DEIR EL-BAHRI, 1894
Tensions were already high among the archaeologists, surveyors, and artists of the Archaeological Survey of Egypt in 1891 when an eventful dispute arose on Christmas Eve.
PUSHING BOUNDARIES
When the Etruscans expanded to the south and the vast plains of Campania, they found a land of cultural connections and confrontations, as luxurious grave goods found across the region reveal. An exhibition at the National Archaeological Museum in Naples sheds light on these ancient Italians at the frontier. Paolo Giulierini, director of the museum, is our guide.
CUZCO 'CENTRE AND HEAD OF ALL THE LAND'
Cuzco was the heart of the vast Inca empire, but all changed in the 16th century when the capital was conquered by Spanish invaders. Michael J Schreffler investigates the Inca city, and how it went from the centre of one empire to the periphery of another.
A STUDY IN PURPLE
A tiny speck of purple paint from the 2nd century AD may yield clues to how ancient artists created the extraordinary portrait panels that accompanied mummified bodies into the afterlife.
Rome In The 8th Century: A History In Art
John Osborne CAMBRIDGE UNIVERSITY PRESS, £75 HARDBACK - ISBN 978-1108834582