THE GOLDEN AND THE GROTESQUE
Minerva|July/August 2020
Nero’s spectacular palace in Rome, the Domus Aurea or ‘Golden House’, was rediscovered in the Renaissance. Dalu Jones describes how the opulent designs of its ancient halls inspired some of the most celebrated artists of the 15th and 16th centuries.
Dalu Jones
THE GOLDEN AND THE GROTESQUE

In no other matter did he act more wastefully than in building a house that stretched from the Palatine to the Esquiline Hill, which he originally named ‘Transitoria’ [House of Passages], but when soon afterwards it was destroyed by fire and rebuilt he called it ‘Aurea’ [Golden House]. It was a house whose size and elegance these details should be sufficient to relate: its courtyard was so large that a 120-foot colossal statue of the emperor himself stood there; it was so spacious that it had a mile-long triple portico; also there was a pool of water like a sea, that was surrounded by buildings which gave it the appearance of cities; and besides that, various rural tracts of land with vineyards, cornfields, pastures, and forests, teeming with every kind of animal both wild and domesticated. In other parts of the house, everything was covered in gold and adorned with jewels and mother-of-pearl; dining rooms with fretted ceilings whose ivory panels could be turned so that flowers or perfumes from pipes were sprinkled down from above; the main hall of the dining rooms was round, and it would turn constantly day and night like the Heavens; there were baths, flowing with seawater and with the sulphur springs of the Albula; when he dedicated this house, that had been completed in this manner, he approved of it only so much as to say that he could finally begin to live like a human being.

Suetonius, The Lives of the Caesars: Nero 31

Denne historien er fra July/August 2020-utgaven av Minerva.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

Denne historien er fra July/August 2020-utgaven av Minerva.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

FLERE HISTORIER FRA MINERVASe alt
ROMAN DISCOVERIES AT ANCIENT AUGUSTODUNUM
Minerva

ROMAN DISCOVERIES AT ANCIENT AUGUSTODUNUM

More than 230 graves have been uncovered at a necropolis in the French city of Autun, revealing a diverse mix in burial practices over a period of nearly 200 years, as well as luxury grave goods from the 3rd and 4th centuries AD that highlight the wealth of some of its ancient inhabitants.

time-read
2 mins  |
January/February 2021
SHAPING THE WORLD: SCULPTURE FROM PREHISTORY TO NOW
Minerva

SHAPING THE WORLD: SCULPTURE FROM PREHISTORY TO NOW

The sculptor Antony Gormley and the art historian and critic Martin Gayford have been talking about sculpture with each other for 20 years.

time-read
3 mins  |
January/February 2021
Amelia Edwards (1831-1892)
Minerva

Amelia Edwards (1831-1892)

“I am essentially a worker, and a hard worker, and this I have been since my early girlhood.”

time-read
2 mins  |
January/February 2021
THE GREAT BEYOND
Minerva

THE GREAT BEYOND

The ancient Greeks thought much about the dead – how their remains should be disposed of, how their spirits might be summoned, how malignant they could be if unavenged. Classicist David Stuttard brings us face to face with the Greek dead.

time-read
10+ mins  |
January/February 2021
INTO THE VALLEY OF THE QUEENS
Minerva

INTO THE VALLEY OF THE QUEENS

The Great Royal Wife of Ramesses II, Nefertari, was buried in one of the most spectacular tombs of Egypt’s Valley of the Queens. Well-educated and well-travelled, Nefertari played a crucial part in the political life of the pharaoh, and her importance was reflected through her magnificently decorated tomb. Lucia Marchini speaks to Jennifer Casler Price to find out more.

time-read
10 mins  |
January/February 2021
DEIR EL-BAHRI, 1894
Minerva

DEIR EL-BAHRI, 1894

Tensions were already high among the archaeologists, surveyors, and artists of the Archaeological Survey of Egypt in 1891 when an eventful dispute arose on Christmas Eve.

time-read
2 mins  |
January/February 2021
PUSHING BOUNDARIES
Minerva

PUSHING BOUNDARIES

When the Etruscans expanded to the south and the vast plains of Campania, they found a land of cultural connections and confrontations, as luxurious grave goods found across the region reveal. An exhibition at the National Archaeological Museum in Naples sheds light on these ancient Italians at the frontier. Paolo Giulierini, director of the museum, is our guide.

time-read
10+ mins  |
January/February 2021
CUZCO 'CENTRE AND HEAD OF ALL THE LAND'
Minerva

CUZCO 'CENTRE AND HEAD OF ALL THE LAND'

Cuzco was the heart of the vast Inca empire, but all changed in the 16th century when the capital was conquered by Spanish invaders. Michael J Schreffler investigates the Inca city, and how it went from the centre of one empire to the periphery of another.

time-read
9 mins  |
January/February 2021
A STUDY IN PURPLE
Minerva

A STUDY IN PURPLE

A tiny speck of purple paint from the 2nd century AD may yield clues to how ancient artists created the extraordinary portrait panels that accompanied mummified bodies into the afterlife.

time-read
3 mins  |
January/February 2021
Rome In The 8th Century: A History In Art
Minerva

Rome In The 8th Century: A History In Art

John Osborne CAMBRIDGE UNIVERSITY PRESS, £75 HARDBACK - ISBN 978-1108834582

time-read
3 mins  |
November/December 2020