Moving Mountains
The Indian Quarterly|July - September 2017

There’s a proliferation of biennales and triennales in South Asia. Concluded this summer, the Kathmandu Triennale.

Parni Ray
Moving Mountains

The first edition of the Kathmandu Tri-ennale (KT) ran between March 24 and April 9, 2017. Organised by Siddhartha Arts Foundation (SAF), Kathmandu, in collaboration with the Stedelijk Museum voor Actuele Kunst (SMAK), Belgium, the triennale showcased commissioned works by over 50 artists, including Shilpa Gupta, Mithu Sen, Oscar Murillo, Belu-Simion Fainaru, Kader Attia and Francis Alÿs—on the theme “The City, My Studio/The City, My Life”.

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The Image-Maker
The Indian Quarterly

The Image-Maker

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The Nawab's Last Sigh
The Indian Quarterly

The Nawab's Last Sigh

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The Guest
The Indian Quarterly

The Guest

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The Birth of an Anthem
The Indian Quarterly

The Birth of an Anthem

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The Indian Quarterly

The Birth of a Parent

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The Unknown Soldier
The Indian Quarterly

The Unknown Soldier

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The Art Scene
The Indian Quarterly

The Art Scene

For the new kid on the block, it certainly has pedigree. The Centre for Con-temporary Art, housed within Delhi’s Bikaner House complex, finally opened its portals to welcome art aficionados during this year’s edition of the India Art Fair. Nature Morte was invited to stage the centre’s much-awaited inaugural show, an opportunity the gallery found too irresistible to pass up. The ambitious exhibition it mounted, The Idea of the Acrobat, occupied both floors of the recently renovated building and brought together the works of a dozen well known artists in a multitude of media. The line-up included Bharti Kher, Atul Dodiya, Dayanita Singh, Shilpa Gupta, Ayesha Singh, Khyentse Norbu and LN Tallur to name but a few.

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Long, Long Ago
The Indian Quarterly

Long, Long Ago

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The Indian Quarterly

Family Business

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A Goan Childhood
The Indian Quarterly

A Goan Childhood

Fragments of memory of a time long gone, from a life lived far away. By Selma Carvalho

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