THE EVENING HAD MOVED IN ON him almost unsuspectedly, grey cloud leading to grey drizzle. It was only when the bullfrogs started croaking that he realised it was dark.
They were never really vocal while it was light. The pond was a remnant of what was once a jheel, a sort of watering hole for wild elephants. Those days were long past. The jheel had now shrivelled with age, drying slowly at the edges, each sliver of caked mud being grabbed by frantic peasants as they went about adding to their holdings. The village would soon be arriving at the pond, he thought.
He had always known that a day would come when his window would open out on nothing. Simply nothing. It bothered him. Nothingness was perhaps something you could put into a void. But you couldn’t. The void would not be a void if you could place something in it. And one had to distinguish nothingness from somethingness. If nothing was nothing, you really couldn’t get hold of it and plonk it some place, certainly not in a nonexistent bowl which went by the name “void”. He was clutching at the straws of his logic and wouldn’t let go.
The Bhikshu started mumbling. It didn’t strike him that his speech was a bit slurred and his listener was not attentive. You could not accuse him of lip reading, for the fellow he was speaking to had his back to the Bhikshu. And the Bhikshu was on one of his trips to the past. In his younger days, he was saying, he had wondered about things like whether existence had a hold, however tenuous, on permanence. After all, you lived, you ate, drank, loved, died. All this could not be maya or mithya. He had left all that behind. Now all he wanted was tranquillity, the night around him, the chirr of the cicada and the croak of the bullfrog.
Denne historien er fra October - December 2016-utgaven av The Indian Quarterly.
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Denne historien er fra October - December 2016-utgaven av The Indian Quarterly.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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The Image-Maker
Sukumar Ray’s most vivid images were saved for his classics of nonsense verse, but his singular eye, writes Nabarupa Bhattacharjee, found its earliest expression in photography
The Nawab's Last Sigh
Rudely awakened by the fact of independent India, an aristocrat in Meerut clung to his past. Now, he tells Sunaina Kumar, all he has left are his memories of a glorious age.
The Guest
Vaiyavan is the nom de plume of MSP Murugesan. Born in 1936, he did sundry jobs before obtaining postgraduate degrees by correspondence and then served as an English and Tamil teacher till his retirement in 1996. His writing career began in 1956. Multifaceted and prolific, he has to his credit a long list of short story collections, novels, plays, literary essays, poems and children’s stories. He has won several awards including Tamil Nadu government awards for best book on culture (1982) and best science book (1992) and the Malcolm Adiseshiah award for active participation in neo-literacy activities (1996). In his short stories and novels, Vaiyavan revels in a zest for life. Humaneness is the hallmark of his work, as the pain and pleasure, trials and tribulations of people in different rungs of society are described in minute detail. —CGR
The Birth of an Anthem
From right-wing slogan to moving patriotic song and now back to Hindu nationalistic war cry. Rimli Sengupta on the evolution of Vande Mataram
The Birth of a Parent
The beginning of a new life can create other strange new lives, reflects Manidipa Mandal
The Unknown Soldier
One man wondered and worried about his disappeared brother all his life.His granddaughter continued the search. Preksha Sharma resurrects a man and his story
The Art Scene
For the new kid on the block, it certainly has pedigree. The Centre for Con-temporary Art, housed within Delhi’s Bikaner House complex, finally opened its portals to welcome art aficionados during this year’s edition of the India Art Fair. Nature Morte was invited to stage the centre’s much-awaited inaugural show, an opportunity the gallery found too irresistible to pass up. The ambitious exhibition it mounted, The Idea of the Acrobat, occupied both floors of the recently renovated building and brought together the works of a dozen well known artists in a multitude of media. The line-up included Bharti Kher, Atul Dodiya, Dayanita Singh, Shilpa Gupta, Ayesha Singh, Khyentse Norbu and LN Tallur to name but a few.
Long, Long Ago
Arundhuti Dasgupta and Utkarsh Patel recount obscure creation myths from around the world, many echoing each other
Family Business
AT THE DINDUKKAL BUS DEPOT, the abortionist pushed her way through the crowd thronging the bus and finally managed to board it. She placed her travel bag beside her on the seat, calling out to her niece to hurry up. The young woman renewed her efforts to break free of the tangle of limbs and claim the seat reserved for her.
A Goan Childhood
Fragments of memory of a time long gone, from a life lived far away. By Selma Carvalho