Tadek Marek, designer of the DB4's straight-six, is one of the cornerstones of Aston Martin's success during the golden age of David Brown's as a factory development mule, chassis DB4/170/L became Marek's own in 1965, subsequently upgraded and massaged to suit the whims and fancies of the Polish engineer who was also a very good, quick driver.
So, even if it's not one for the purists, this 'Director's cut' Aston, KKX 4C, must be one of the most interesting DB4s around. Not that here is such a thing as a boring DB4. Launched at Earls Court in 1958, this was the car that established the products of David Brown's Feltham works as the ultimate in wholesome, high-quality grand touring machinery.
It was a British supercar. With 240bhp and running a 3.54:1 rear axle ratio, the 3500lb DB4 was, for a while, the fastest four-seater production car in the world, able to top 140mph. Very British in conception, yet clothed in the latest Italian style from Touring of Milan, it was powered by an engine that would take Aston Martin through to the early 1970s, latterly alongside Marek's even longer-lived four-cam, 5.3-litre V8.
Born in Kraków in 1908, Marek arrived in Britain in 1941 as part of the Allied forces, following some colourful wartime adventures that included internment by the Germans and a daring escape to Britain via the Moroccan city of Casablanca. For a while he settled in Finchley, north London and met a local girl called Peggy, whom he married.
He moved to Aston Martin in 1953 (when it was still based in Feltham), fresh from a job helping to create an amphibious version of the Centurion tank and, before that, a posting with Austin at Longbridge. There he had designed the 2.6-litre C-series and a stillborn V8 based, intriguingly, around a pair of A40 engines.
Denne historien er fra March 2022-utgaven av Classic & Sports Car.
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Denne historien er fra March 2022-utgaven av Classic & Sports Car.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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A Breath of Fresh Air- Alfa Romeo's exotic, V8-powered Montreal was like nothing the marque had made before, but can it compare with a Porsche masterpiece, the 911S 2.4?
The stereotype of the ItaloGermanic automotive rivalry is that the Latin car will be brilliant to drive, but poorly built and ergonomically flawed, while the Teutonic will be the opposite. Yet these 2+2 sports coupés both ran against orthodoxy. In the Montreal, Alfa Romeo created an outlandish-looking two-door more comfortable, more powerful and more refined than anything it had produced for decades. Meanwhile, Porsche continued to refine its back-to-front, austere and increasingly aged 911. Neither took a traditional development path, but both created thrilling and individual cars that have echoed through the decades.
Daring to be diminutive
AMC's Gremlin and Pacer, and Ford's much-derided Pinto, led America's response to the threat of imported European compacts
THE LONG WAY ROUND
There is a great tradition of overland trips by Land-Rover, but the tale of this 70s Aussie epic and the car itself was discovered by chance
Handsome cab
The Phantom V limousine marked the beginning of the end for coachbuilder James Young, but this Rolls-Royce represents the craft at its very best
DOING IT FOR THEMSELVES
Racing for their own F1 teams brought some drivers success and an enduring legacy. For others, it turned into a nightmare
20 30 LITRES CYLINDERS, 400BHP......AND MORE THAN A CENTURY OLD
Thunderous torque, flame-spitting stub-exhausts, white-knuckle thrills - and hopefully no spills - aboard a trio of Edwardian racing titans
ICON.
The three top-selling vehicles in the USA in 2023 were pick-ups, topped by the Ford F-Series. This is the truck that started it all
Blurred Lines
lan 'Del' Lines blended the V8 burble of Triumph's open GT with real practicality in his Stag V8 saloons and estates
Home of the brave
The innovative Silverstone proved a hit with keen amateur drivers. To mark its 75th, Healey's club racer returns to the circuit for which it is named
PLAYING ALL THE ANGLES
Alfa Romeo's wild RZ eschewed the jellymould styling of the period to offer a striking, wedge-shaped take on open-topped performance motoring