Once jim in the office. Now dir ector of this year’s most high- concept chiller. John krasinski writes exclusively for empire about his journey to a quiet place, and how the near-noiseless film became a family affair
My first directing gig actually came about by total happenstance. Before I got The Office I had adapted this book by David Foster Wallace that had meant a great deal to me called Brief Interviews With Hideous Men. I remember The Office had just come on the air and I was having lunch with Rainn Wilson [who plays Dwight Schrute]. At the time I was looking for a director and so I asked his opinion. His response? “Why don’t you just direct it yourself ?” My mouth opened, but no response came. Then he said, “Listen, you now know this material better and care about it more than anyone. So just direct it.”
Not only did that line inspire me to take on my first movie as a director, but those words have become the exact criteria for what it is I choose to direct. I am well aware of the large and vast pool of extremely talented directors out there. And the truth is, most scripts I read, I’d love to see directed by one of those names. In order for me to choose to direct something, I have to feel that I am the best person for the job, that I have a unique connection to a piece of material, and can see it more clearly than I think anyone else could. That’s certainly what happened on A Quiet Place… Though, yet again, it wasn’t initially my idea.
Denne historien er fra April 2018-utgaven av Empire Australasia.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra April 2018-utgaven av Empire Australasia.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Out Of The Cage
From the ashes of Suicide Squad has risen something fresh, bold and exciting: birds of prey. Inside the first-ever female-ensemble superhero film
The Master Of Suspense
With a string of dazzling, high-concept thrillers, bong joon ho has drawn comparisons to hitchcock. But his films also have a strong social message, and his latest, parasite, is no exception
Wonder Woman Swings Into The '80s
Director Patty Jenkins on setting Diana Prince loose in the era of excess
The Many Parts Of Martin Lawrence
As the comedian makes a bigscreen comeback, he talks us through his greatest roles
HIS NUMBER'S UP
AFTER 14 YEARS, THE LONGEST TENURE OF ANY BOND, DANIEL CRAIG IS ABOUT TO HANG UP HIS MARTINI GLASS AND WALTHER PPK. EMPIRE TRACKS 007 ACROSS THE GLOBE, FROM LONDON TO JAMAICA AND NEW YORK, TO BRING YOU THE ULTIMATE INTEL ON NO TIME TO DIE. AND HIS EMOTIONAL FAREWELL...
THE FALL GUYS
In 2011, Zack Stentz and Ashley Edward Miller were the hottest new screenwriting team in Hollywood. Then they disappeared. Eight years later, they tell EMPIRE their cautionary tale; revealing the tough reality of a writer's life Hollywood
Buddy Hell
The last blockbuster to be released in the 1980s, Tango & Cash seemed like a no-brainer: a buddy-cop team-up for two of Hollywood’s biggest stars. But it didn’t take long for the wheels to spectacularly come off
BLAZING a TRAIL
Queen & Slim IS A ROAD MOVIE, A TENDER ROMANCE AND AN UNFLINCHING LOOK AT WHAT IT MEANS TO BE BLACK IN 21ST CENTURY AMERICA. EMPIRE ASSEMBLES ITS WRITER, DIRECTOR AND TWO STARS FOR A FRANK, FREEWHEELING CONVERSATION ABOUT WHY IT NEEDED TO BE MADE
BATTLE PLANS
HOW SAM MENDES AND TEAM TURNED WORLD WAR I DRAMA 1917INTO A REAL-TIME, ONE-TAKE WONDER
An Oscar-winning director. The world's biggest pop star. A classic West End musical. Judi Dench with a tail. The biggest gamble of the year
Ever since the trailer dropped the world has been mesmerized by Cats. We journey deep inside the maddest, milkiest film of 2019