Movie director and Hollywood royalty SOFIA COPPOLA explains why you won’t see her directing a blockbuster any time soon and why fashion photography was her first love. VINCENZO LA TORRE meets her in the city that she immortalised in her most famous work
IF THERE’S A FILM that has come to define the urban sprawl and throbbing energy of Tokyo, at least to Western eyes, it would have to be Sofia Coppola’s Lost in Translation. Only an auteur like Coppola could have captured the sense of alienation and displacement that every visitor to the metropolis experiences. The neon-lit streets, karaoke nights, crowded crosswalks and traffic jams that make up the visual language of the Academy Award-winning movie have greatly contributed to the world’s fascination with Tokyo, and with Japan in general.
It thus felt quite surreal when, on a chilly evening last autumn, we met Coppola in a bar overlooking Tokyo’s skyline at one of the city’s swanky hotels (it wasn’t her beloved Park Hyatt, another benefactor of the still-strong influence of the film, whose most poignant scenes take place within that property).
The diminutive Coppola, who was in Tokyo to participate in the unveiling of a high-jewellery collection from Cartier, is fashion’s favourite filmmaker. Whether it’s her friendship with Marc Jacobs, her widely copied, Parisian-inflected personal style, or her industry credentials (as a young girl, she interned for Karl Lagerfeld at Chanel and decades later guest-edited an issue of Vogue Paris), Coppola has always straddled the worlds of the silver screen and high fashion with great aplomb, keeping a kind of aloofness and indie cred that make her stand out as a director’s director.
Denne historien er fra June 2017-utgaven av Prestige Hong Kong.
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Denne historien er fra June 2017-utgaven av Prestige Hong Kong.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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One Step Beyond
Dancer and actress JENNA DEWAN TATUM has built a career tripping the light fantastic.
Crown and Glory
The “Forbidden City” plays host to an array of fine art and jewellery, and Chaumet’s aptly named Imperial Splendours exhibition.
Bright Young Things
After some serious time in the limelight, summer’s big make-up trend is finally putting brows in the shade.
Fragrant Fancies
The nose behind the reinterpretation of three Bulgari fragrances, Sophie Labbe talks to ZANETA CHENG about the jewels of scent, floral absolutes and ageless femininity.
Reachable Recharge
The wellness effect of a stay at Amanoi, in a remote part of south-eastern Vietnam, begins before arrival.
Contemporary Inklings
With a mixed palette of traditional Chinese painting skills and avant-garde Western influences, octogenarian LIU KUO-SUNG, a leading force in modern ink art, reflects on his work with ANDREW DEMBINA.
French Lessons
STEPHEN MCCARTY discovers the dark side of jazz-era China.
Top of the Crops
It’s been a long time coming, but the health-food movement has finally hit Hong Kong’s fine-dining scene.
Modern History
Delvaux’s Hong Kong flagship store has just opened its gilded doors in Central.
Double Act
Two designers, two brands, two worlds. Creative directors Laura Kim and Fernando Garcia tell Alice Franklin why taking the reins at Oscar de la Renta made sense as Monse, their new brand on the block, continues to impress