No matter what software you use, the results of all your music making must be heard through either accurate studio monitors or decent headphones. If your ’phones or monitors are not delivering your mix to you with this honesty, you’ll mix it incorrectly, and it will sound bad on any other playback system. That’s the theory. The other part of this theory is that ‘proper’ studio speakers cost a fortune. Luckily, that part of the theory has been challenged more and more over recent years…
You can go cheap
Recent monitors from JBL, Adam, Eve and others have proven that you can get accurate speakers at lower costs. Another company who have made bold claims on a budget are Presonus, and their Eris range certainly turned a few heads when it was released back in 2013. The XT range is the latest update to Eris and we have the E8 XT on test here. It’s a big speaker, with a big sound, and at just over £400 a pair – cheap in a market where you can easily pay well into four figures for decent monitors – these look like a lot of speaker for the cash.
First up a quick look at the specs. The ‘8’ in the title stands for the 8-inch low-frequency woofer (there’s are smaller E5 model in the range too, with a 5-inch woofer). This, along with the 1.25-inch silk-dome, high-frequency tweeter, response of 35Hz to 20kHz – pretty good low-end specs, especially without a subwoofer.
Power-wise, you are getting 75W (from the LF driver) and 65W (the HF) so, as we hinted at earlier, these are for mid- to large-sized spaces, something enforced with the new XT Waveguide addition – see box below – that allows for a bigger listening experience. And with the large physical size of the speakers – weighing in at over 10kg a speaker and over 40cm high – these will clearly be overkill for small studios.
Denne historien er fra April 2020-utgaven av Computer Music.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra April 2020-utgaven av Computer Music.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Sonuscore The Score $399 PC MAC
The Score comes up with a film soundtrack based on your stylistic choices, but that’s just the start of it. Andy Jones scores The Score
Baby Audio Humanoid $129 PC MAC
Humanoid brings the ‘extreme’ and ‘radical’ to the world of vocals, but is also one of the easiest plugins to use and abuse, says Andy Jones
The Synth Factory Horizen $129 PC MAC
A synth/sampler that packs in a lot of power at an almost silly price - despite its low profile, Andy Jones gazes at Horizen...
Flow Mastering Suite $15/month PC MAC
Mastering your music just got as easy or as complex as you want. But, Andy Jones asks, is it worth yet another monthly subscription?
Universal Audio LA-6176 $299 PC MAC
UA has bundled three of its classic emulations into one channel strip. Is this analogue dream your ideal plugin team? Andy Jones finds out
Rack'em up...
IK Multimedia has announced a comprehensive update to its mixing and mastering software, T-RackS, that brings some smart mastering additions
FX Collection 5 €499
Arturia's huge bundle of effects gets its regular update and it's still easily as essential as the company's V Collection
Make a pulsing bass with GForce Axxess
Get mechanical, with a garage-inspired bass patch, which gets right to the pulsing heart of the Axxess synthesiser
The software that shaped us
Computer Music has had a 25-year history, and over the life of this magazine, the technology behind music production has changed beyond recognition. Here are the products that set the stage for the modern world…
PERFECT VIRTUAL GUITAR!
Need a great guitar sound, but lacking any guitar-playing contacts, or the skills to play it yourself? Have no fear, your computer is here! With a few pointers, buying advice and hands-on tips, you and your PC or Mac can emulate the greatest guitarists in the world…