In 2018, this celebrated building closed for a six year renovation. COUNTRY LIFE recorded its empty interiors before work began and Steven Brindle tells its exceptional story.
BY the early 19th century, Manchester had emerged as one of the first true industrial cities in the world. It had a skyline of spinning mills and tall chimneys, as well as horrendous slums, but it also had an energetic middle class, dedicated to self-improvement and making money. Late- Georgian Manchester equipped itself with a number of public buildings and cultural institutions, mostly in the Greek Revival style, such as its first town hall on King Street, which was designed by Francis Goodwin and built between 1819 and 1834.
By the 1860s, Manchester had outgrown Goodwin’s building. The town’s corporation conceived the project for a new building in 1863 and decided to proceed in 1864. The corporation may have been full of hard-nosed businessmen, but where the new town hall was concerned, no expense was to be spared: they wanted it to be ‘equal, if not superior, to any similar building in the country’.
A two-stage competition was organised to choose an architect, with the 137 entries assessed by Prof T. L. Donaldson and the eminent church architect and Gothicist George Edmund Street. Eight entries went through to the second round and, on April 1, 1868, Alfred Waterhouse (1830–1905) was announced as the winner.
Waterhouse had been born in Liverpool, the son of a Quaker mill owner. His brother Edwin was an accountant and a founding partner in the firm that became Price Waterhouse and another brother, Theodore, was a solicitor and co-founder of the firm now known as Field Fisher Waterhouse.
Denne historien er fra February 27, 2019-utgaven av Country Life UK.
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Denne historien er fra February 27, 2019-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery