FOR many centuries, the theory held that, if some part of a plant resembled a human organ, then that plant could be used to treat the organ it resembled. At the heart of folk remedy and herbalism, this notion was nurtured throughout the Classical world by respected medical scribes, as far distant as Dioscorides and Pliny the Elder. It gained theological credence in medieval times and, for a while, was central to Western culture—it was known as the doctrine of signatures.
The 16th-century Swiss physician Paracelsus declared that ‘Nature marks each growth according to its curative benefit’ and German religious mystic Jacob Boehme travelled a similar course with Signature Rerum (The Signature of All Things, 1621), which is said to have influenced Newton and Nietzsche, among others. It resurfaced as recently as 2006, in the work of American author Elizabeth Gilbert, whose bestselling Eat, Pray, Love was made into a film in 2010.
For want of a better explanation, medieval medicine embraced the notion that the appearance of plants was a sign from the Almighty. Respected 17th-century English botanist William Coles wrote of herbs in Adam in Eden, or Nature’s Paradise, that ‘the Mercy of God... hath not only stamped upon them a distinct forme but hath also given them particular signatures whereby a man may read the use of them’.
Among his propositions was the claim that, because the bunched flesh inside the walnut resembled the human brain, it offered treatment for headaches. He also believed that, as holes in the leaves of St John’s wort (Hypericum perforatum) were rather like the pores in the human skin, the plant— also known as amber, amber touch-and-heal, demon chaser, goatweed and hardhay —was ‘profitable for all hurt and wounds that can happen thereunto’.
Denne historien er fra September 18, 2019-utgaven av Country Life UK.
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Denne historien er fra September 18, 2019-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.