IMAGINE YOUR HOME cinema without streamed video. For many of us, ripping out a network connection and relying on discs and broadcast TV for thrills would be something of a culture shock. Our dependence on SVOD – streaming video-on-demand platforms that offer all-you-can-eat content – may have snuck up on us, but now we're standing at the buffet stuffing our faces.
And why not? In the last half-a-decade, streaming platforms have upped their game. It was once clear that Blu-ray disc guaranteed the best experience in town, but when Netflix debuted 4K material in 2014 the UHD BD format was still two years away. Ever since then, 'net-connected corps have slowly pushed the envelope, improving adaptive bitrate technology, ramping up the amount of 4K content, and adding HDR and 3D audio embellishments. The argument that SVOD services are all about convenience over quality has long stopped ringing true.
Battle of the binge
It's not just in technological terms where the digital market has progressed. The battle being fought between Netflix, Prime Video, Disney+ and Apple TV+, to name the Big Four of the SVOD world, is also a creative one. Attracting new subscribers, and retaining current ones, can't simply revolve around a library of catalogue content. There's a demand for new, exclusive material, delivered by the industry's brightest stars. In fact, it's the transformation of tech outfits like Amazon and Apple from distributors to developers that's perhaps the most startling aspect of the SVOD boom, along with the sight of Hollywood A-listers happily turning their attention to small screen endeavours.
Denne historien er fra March 2021-utgaven av Home Cinema Choice.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra March 2021-utgaven av Home Cinema Choice.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
Feedback
Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming