The word ‘fictional’ brings to mind something imaginative that doesn’t exist in real life. In contrast, ‘non-fiction’ suggests something that’s based in reality, whether it’s factual, historical and so on. However, to paint a realistic yet fictional character, I need elements from both camps. I must think about how to make something feel factual when it’s clearly not.
As a student, my favourite challenge was creating realistic but fictional feathered or furry creatures. My fascination with these types of creatures continued over my 15-plus years of designing creatures for films, television and games. This is a subject that I love, so it’s what I’ve chosen to cover in this workshop.
As with storytelling, believability depends on the details. If all the details add up and are consistent throughout, then that makes the story more believable. The same applies to painting fictional objects: believability is in the details, especially the subtle ones. If you get the details right then your efforts will be recognised by the viewer.
In this workshop, I’ll start off with inspiration and coming up with the initial idea. Next, I’ll do a step-bystep of my painting process, inspiration, structure and texture, with some helpful tips in between about painting in general.
1.Create a pen drawing
This drawing is about curiosity. It tells of a butterfly and a winged creature as they focus on their similarities instead of their differences. I do the initial drawing with a regular ballpoint pen. I love drawing with pens but they can leave ink blots, so I have to remember to roll my pen every once in a while to remove any excess ink.
Denne historien er fra July 2021-utgaven av ImagineFX.
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Denne historien er fra July 2021-utgaven av ImagineFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Raquel M. Varela
Raquel is inspired by magic, fantasy and fairy tales. She loves designing female characters from distant worlds. \"My greatest reference is Loish's art, thanks to her I learned to draw the movement and fluidity I like to convey.\"
Estrela Lourenço
Estrela is a children's book author and illustrator. Her work is influenced by her background in character animation and storyboards for clients such as Cartoon Network, and she channels comic strips like Calvin and Hobbes.
Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
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First Impressions
The artist talks about his journey into the mythological world
CREATIVE STRENGTH IN COMMUNITY
Co-founder and creative force André Luís talks about the ethos and evolution of Trojan Horse Was A Unicorn
Gigi Murakami
Shock and terror! Step into the world of the American horror manga artist, where her tastes are on full display
The path to the top at a video games company
No cheat codes required Tanya Combrinck finds out exactly what it takes to make the leap from burgeoning student to game-shaping art director