My studio is 100 feet from my house in Northern California, in a building that was converted from a three-car garage by my brother-in-law and me back in 1989-1990. We had moved into the house one day before our daughter Victoria was born in 1986.
My wife Lynn and I wanted to move to a more rural environment from San Francisco, where I began my career. I wanted a studio at home, where I could focus on my work, but be away from the studio when I was in the house with my family. To save money, much of the building material was scavenged from a local medical building that was being remodelled.
The four sides of the studio are laid out according to four functions: light, research, storage and production.
The front of the building is a wall of large windows (facing north). One side is dedicated to reference, photography, props, etc. The back wall is designated for storage (primarily of work in progress), and the other wall is the 'production' side - the part of the studio where I do almost all my painting and drawing.
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Denne historien er fra May 2022-utgaven av ImagineFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
PAINT EPIC BATTLES IN TRADITIONAL INK
Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide
CONJURE MAGIC ILLUSTRATIONS
Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches
First Impressions
We discover the early influences that inspired the artist
ZBrush for iPad
GAME CHANGER The desktop version of popular 3D sculpting software ZBrush has been redesigned for iPad - and it's brilliant
BenQ GW2786TC
GET AN EYEFUL Don't scrimp out on your health with a monitor that's kind on the eyes and good for creative tasks
Huion Kamvas Pro 19
TABLET WARS An attractive pen display does an excellent job of balancing price and performance as it sets out to challenge its rivals in the mobile marketplace
DRAGON OFORCEC
Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.
DUNGEON MASTERS
ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration
Erik Ly
Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.
2D meets 3D: How the workflows are merging
Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing