In recent months, a long-overdue spotlight has been shone on the toxic culture underpinning parts of the digital art industry. While the issues are varied and complex, the core focuses on individuals in positions of power using their clout to exploit and prey on artists who are simply trying to establish themselves.
It’s a problem that’s recognised as not being exclusive to comics or concept art workplaces. Indeed, a number of industries are being forced to acknowledge the scale and significance of the abuses of power going on behind the scenes.
So how have we ended up in this situation? And what do we do now the conversations have started? We asked artists working in the industry today what steps we need to take to create a safe, fair space for everyone.
BLURRED LINES
It’s difficult to pin-point what might have caused the rise of this predatory culture, but there are some practices that may have perpetuated the problems. One is the informal and typically boozy after-hours meet-ups at events, where hosts actively encourage industry networking to take place.
“Beginners are told that they can increase their likelihood of getting opportunities by networking at conventions and having peers recommend them for jobs,” says American fantasy artist and illustrator Rachel Quinlan. “Interacting in these environments seems like a critical step in their career.”
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Denne historien er fra Christmas 2020-utgaven av ImagineFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Jan Wessbecher
Dominic Carter talks to the visual artist about creating his own comic and why sketchbooks are great for creative experiments
Kyounghwan Kim
The Korean character concept artist speaks to Dominic Carter about staying open to ideas and the value of drawing regularly
Slawek Fedorczuk
Dominic Carter talks to the concept artist about what keeps him motivated and the advantages of using physical sketchbooks.
Raquel M. Varela
Raquel is inspired by magic, fantasy and fairy tales. She loves designing female characters from distant worlds. \"My greatest reference is Loish's art, thanks to her I learned to draw the movement and fluidity I like to convey.\"
Estrela Lourenço
Estrela is a children's book author and illustrator. Her work is influenced by her background in character animation and storyboards for clients such as Cartoon Network, and she channels comic strips like Calvin and Hobbes.
Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
Learn how JULIÁN DE LA MOTA creates a composition from his imagination with a focus on crafting figures, volumetric modelling, and light and shadow
First Impressions
The artist talks about his journey into the mythological world