It all started on a Monday afternoon in the middle of the 1980s. A young British journalist nicknamed “Killer” for her tenacity in chasing stories, the first kid from a Scottish state school to be admitted into historic Oxford University, sat down for her latest attempt at writing a publishable novel. The young journo had a busy life—a few hours each Monday afternoon were all she could spare to chase her childhood dream of writing a book. Her first manuscript had been roundly rejected by all the many publishers she’d sent it to.
But this time was different. This time she had a clearer idea of the kind of story she wanted to write. This time she’d write the type of story that she loved as a reader, and excited her as an aspiring writer. This time, Val McDermid would write a crime novel.
“I got hooked on Agatha Christie when I was about nine or ten years old, and alongside everything else I read over the years, I’d carried on reading the Golden Age, the Americans, the more modern stuff like P.D. James and Ruth Rendell,” says McDermid, who in 2010 received the CWA Diamond Dagger for “outstanding contribution to the genre.”
On that Monday afternoon long ago, McDermid began writing Report for Murder, the first outing for Lindsay Gordon, the firstever lesbian sleuth in British crime writing, and an early step on McDermid’s march towards coronation as a modern-day Queen of Crime.
In the last decade, McDermid hasn’t rested on her laurels. She has continued to raise the bar, challenging herself and her readers. She’s stretched into new areas as a writer and beyond while keeping her longrunning series and beloved characters fresh and interesting.
Denne historien er fra Summer #164, 2020-utgaven av Mystery Scene.
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Denne historien er fra Summer #164, 2020-utgaven av Mystery Scene.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
6 New Writers to Watch
Wiley Cash’s debut, A Land More Kind Than Home, about the bond between two brothers landed on the New York Times Best Sellers List and received the Crime Writers’ Association Debut of the Year.
ANN CLEEVES
British author Ann Cleeves has an affinity for remote areas and how these isolated regions affect her characters.
CARLENE O'CONNOR
“Anyone can play Snow White. It takes real talent to play the Wicked Witch.”
Mystery Scene MISCELLANY
FIRST USE OF FINGERPRINTS
PANIC ATTACK
The newest entry in my Pittsburgh set series of thrillers is called Panic Attack. It’s the sixth book featuring Daniel Rinaldi, a psychologist and trauma expert who consults with the Pittsburgh Police.
LAIDLAW'S LEGACY
During the pandemic, Ian Rankin stepped away from Rebus and into the shoes of friend and literary hero, the “Godfather of Tartan Noir” William McIlvanney.
HILARY DAVIDSON
Call it The Case of Life Imitating Art.
Thomas Walsh - The Unusual Suspect
Any paternity test on the sub-genre of police procedural will identify the DNA of Ed McBain and Lawrence Treat, as well as the 1948 movie The Naked City and the radio and TV series Dragnet…and of course Thomas Walsh.
S.A. COSBY
In Razorblade Tears, two aging men—one Black, one white, both with criminal pasts—join forces to seek revenge for the murders of their gay sons. The themes of fathers and sons and toxic masculinity will be familar to fans of Cosby’s 2020 breakout Blacktop Wasteland.
VIPER'S NEST OF LIES
A slip of the tongue is a dangerous thing. Not only does it expose indiscretions, it also can lead to murder. The latter especially applies to me.