ZACK ESTRIN IS blaming his children. The producer and writer was looking forward to a year off when the opportunity to revisit a beloved sci-fi franchise presented itself via Legendary and Netflix.
“I was like, ‘I don’t know, that cheesy 1965 series, I’m just not sure,’” he laughs.
A conversation around the dinner table got Estrin thinking. “My kids said, ‘Dad, what would happen if the four of us were lost in space?’ and I saw them get excited talking about what it would be like and would we survive.” He grins. “I definitely wouldn’t, apparently, but they said ‘We’ve never really been able to watch anything that you’ve written and this would be that chance.’ So that became what drew me to it. It’s actually my kids’ fault I ended up doing this show.”
Five years and three seasons later, with the final chapter hitting screens this month, as showrunner of Lost In Space Estrin has found an additional family in the cast and crew, and couldn’t be happier that the show resonates with family audiences.
“Oh, it’s been fantastic,” he beams. “It’s so rare that you’re getting a chance to do a deep dive on a story like that, for that amount of time. So often, especially early in my career, it’s like, ‘Turn out 20 episodes a year and just keep it going and cranking, it doesn’t matter what you’re telling as long as you can get it on the air!’ With streaming, and the way that they schedule these things now, you have a chance to really hone in and tell the story that you want to tell. And you have, fortunately, budgets that allow you to do it.”
Denne historien er fra Holiday Special 2021-utgaven av SFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra Holiday Special 2021-utgaven av SFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS