One night in March 1982, in a single dimension in this infinite multiverse, The Ravelos’ own world was about to take a turn. Before that, the band was like any other group echoing the punk subculture’s rebellious spirit. The Ravelos have their day jobs. It’s just that they moonlight as crime-fighting superheroes, in a world where snake people are the norm.
The Ravelos’ original lineup consists of the brawny Kapitan Barbel on drums, the immortal Last Stick Man on bass, and Teeny Tony, who was later kicked out for his lack of punk cred. Darnuh Vergara filled up the spot for vocals and lead guitar, with super strength and flight in the rest of her arsenal. Flash Bombas entered the scene as their shockwave and demon-summoning roadie, but his knack for songwriting and guitar-shredding later promoted him to center stage. Life was like clockwork for The Ravelos: They fought monsters on the side and dominated shows by night. Pesky villains notwithstanding, it was as tolerable as any alien-infested dimension.
It all changed during a gig at Jewel’s, when they were unknowingly pulled into a time portal that transported them into this dimension. For The Ravelos, the world as we know it is strikingly different from theirs: Snake people are reduced to monsters in B-movies, and superheroes are relegated to blockbuster fads. Compared to their home universe, Manila ’19 is a lackluster dystopia. It has all the oppressive horror of “The Terminator,” but with less Arnold Schwarzenegger cyborgs and more smartphones at gigs.
Denne historien er fra July - September 2019-utgaven av Scout.
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Denne historien er fra July - September 2019-utgaven av Scout.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Girl of the year
After years on hiatus, 17-year-old Ylona Garciaa has found her way back to her first love: music
Walking on a Tightrope
The Binisaya Film Festival grew from pop-up screenings in beaches, rooftops, basements and basketball courts. How did founder Keith Deligero go against the tide?
URBAN DISRUPTION
As street art falls into the trap of commercialism, collectives like koloWn of Cebu reclaim urban spaces through works that dare to disrupt
Take no prisoners
At 13 years old, Alex Bruce has already built a name for herself in the local hip-hop scene
Paperback dreams
As print was beginning its decline, we were passionate, young creatives who wanted to resuscitate publishing—even if it meant making our own magazines
Putting the spotlight on the South
Run by DJs, MCs and dancers, Laguna Hip-hop is ready to break borders with their growing community
Bekiand the great Gay language
Our local gay lingo is radical in nature
Baybayin: a renewal through art
Filipino-American Baybayin artist Kristian Kabuay talks about Baybayin as a didactic art form that bridges past and present
Wild card
Marco Gallo never dreamt of becoming an actor, so why is he working hard to be the best one out there?
Postcards after the drug war
It went from promises to end illegal drugs in three to six months, to countless protests from human rights activists, and a vice president appointed and (eventually fired) to head the government’s campaign on illegal drugs.
