When Total Film usually chats to Ryan Reynolds, he’s a fizzing, fast-talking quipster, rolling out caustic oneliners as deftly as Deadpool. But today when we catch up with him in a dark, wood-panelled hotel room, he’s introspective, heart-on-sleeve and disarmingly open; talking in an uncharacteristically quiet cadence about the difficult relationship he had with his dad (who died in 2020) and a vulnerable, withdrawn pre-teen version of himself. It’s not that Reynolds can’t be serious and circumspect – we’ve seen him essay both in roles such as Buried and Mississippi Grind – but in his most high-profile outings and his business persona as gregarious football club/gin/mobile phone network owner, Reynolds’ default is ‘funny’.
The reason for his contemplation is perhaps his most personal film to date; a re-team with director/ producer Shawn Levy on another warm audience-pleaser after their success with 2021’s Free Guy. The kind of film Reynolds describes as “a high-concept, wish-fulfilment film, not unlike the Amblin movies that I loved growing up”. Levy and he leaned into that nostalgia and sweetness with Free Guy ($331.5m at the box office and an Oscar nod) and they hope to repeat the trick with The Adam Project; ostensibly a timetravel jape that dips into themes of grief, forgiveness, destiny and trauma.
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Denne historien er fra April 2022-utgaven av Total Film.
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RETURN TO OZ
WICKED Cynthia Erivo and Ariana Grande defy gravity as the Broadway smash reaches cinemas.
GRIN AND BEAR IT
SMILE 2 Trauma-horror sequel sees the curse latch onto a pop superstar...
BAD ROMANCE
TIMESTALKER Alice Lowe falls in love with the wrong man time and time again...
CLOWNING GORY
TERRIFIER 3 Creator Damien Leone says Art the Clown is coming home for Christmas...
SELF EXPRESSION
LAYLA A non-binary, British-Palestinian drag queen navigates their expression of identity.
GENA ROWLANDS
I like difficult roles,' said Gena Rowlands. No kidding. A stage, TV and film actor whose career spanned more than six decades, Rowlands will be most remembered for the series of coruscating dramas she made with her first husband, actor-turned-director John Cassavetes, between 1968 and 1984.
'NOW NOTHING IS ABOUT LOOKS OR ABOUT BEING A LEADING LADY.AND IT'S VERY LIBERATING' EMILY WATSON
Since breaking hearts in Breaking the Waves, Emily Watson has delivered countless screen masterclasses, from Gosford Park and Punch-Drunk Love to Apple Tree Yard. Now, the English star goes toe-to-toe with Cilllan Murohy in Irish drama Smeal/ Things like hese and fronts 1V prequel Dune: Prophecy. Is it her second coming? It's elementary, my dear Watson...
BLODD PRESSURE
BASED ON STEPHEN KING'S MOST INFLUENTIAL BOOK AND WRITTEN AND DIRECTED BY IT SCRIBE GARY DAUBERMAN, VAMPIRE MOVIE SALEM'S LOT FACED AN UNHOLY FIGHT TO GET TO OUR SCREENS. TOTAL FILM HUNTS DOWN DAUBERMAN AND STARS LEWIS PULLMAN AND MAKENZIE LEIGH TO LEARN ALL THAT WAS AT STAKE...
Lucky Man
He broke out in Beatles jukebox musical Yesterday and has a varied slate of juicy projects on the horizon, including a very different take on a superhero franchise. But, as the everhumble Himesh Patel tells Total Film, he puts a lot of it down to luck...
A BUE ABOVE
WORLD-BUILDER EXTRAORDINAIRE RIDLEY SCOTT IS ALSO THE MASTER OF THE DIRECTOR'S CUT, RESTORING HIS MISHANDLED GEMS INTO MASTERPIECES. WITH THE EXPANSIVE DIRECTOR'S CUT OF NAPOLEON NOW AVAILABLE TO STREAM, TOTAL FILM SPEAKS TO THE GREAT SCOTT ABOUT BLOWING UP BONAPARTE HIS RELATIONSHIP WITH EDITING AND WHY BIGGER IS (USUALLY) BETTER.