All the world has been waiting for a Wonder Woman sequel since the long-overdue 2017 film smashed expectations. That wait has been extended a couple of times, first by a release-date shift that saw the film moved from November ’19 to June 2020, giving director Patty Jenkins valuable additional post-production time, and then when the Covid-19 pandemic pushed the opening back to a planned August debut.
''It’s such a bummer because of course, I wish it came out in the fall, in retrospect of everything that’s happened in that way,” smiles Jenkins when Total Film catches up with her in May. “But the truth is, for us to come out in the fall was going to put us on a much tighter schedule than we had on Wonder Woman. And I was able to do so much more, and better work, in December and January in the film, because we had the extra time. Having the right amount of time to finish a film makes a massive difference to everything. It’s still worth it to me. I’m still happier to have the film we have.”
The real-time between the first film and its sequel is nothing compared to the time elapsed in the film world. Save for present-day bookends, Wonder Woman was set during WW1, in 1918. If the backdrop of the Great War helped to distinguish the film from more generic superhero fare, Wonder Woman 1984 is set in an equally distinctive, albeit diametrically opposed era. We’ll meet Diana Prince again in the decade where greed was good, fashion was gaudy and neon was everywhere. Expect big action, big hair, larger-than-life villains, and Hans Zimmer’s electric cello riff cranked up to 11.
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Denne historien er fra July 2020-utgaven av Total Film.
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Back With a Vengeance - Sir Ridley Scott returns to the Colosseum with Gladiator II, the long-awaited sequel to the greatest historical epic of this century. Total Film meets the director and cast to discover how Maximus' legacy is echoing in eternity.
Ridley Scott is not a filmmaker to repeat himself. It's a trait that's all the more remarkable when you consider how prolific he's been over the nearly five decades since his feature debut, 1977's The Duellists. Alien prequels Prometheus and Alien: Covenant are the only times he's gone back to the same world, and those films are radical departures from the original.
Bad Romance - Timestalker Alice Lowe falls in love with the wrong man time and time again...
Her antidote to that? Timestalker a dark not-quite-romcom set over the course of centuries. Her protagonist Agnes finds herself attracted to the same man, Alex (Dunkirk's Aneurin Barnard), in every lifetime as she's reincarnated in the 1680s, 1790s, 1980s and the 22nd century. As romantic as that may sound, there's a bit of a catch: 'He's sort of a dickhead. On the surface he's appealing, but under, he's not.'
McQueen & Country
A moment of national pride and terror comes to the screen with World War Two historical drama Blitz. Total Film speaks to writer/director Steve McQueen and his stars Saoirse Ronan and Stephen Graham about uncovering the truth and celebrating the triumph of a defining moment in modern British history.
'I WAS, AND AM STILL, SURPRISED BY EVERY OPPORTUNITY. I'VE BEEN CONTINUOUS AND FEEL AT THE TOP OF MY FORM' JEFF GOLDBLUM
Seth Brundle. Dr. Ian Malcolm. Grandmaster. Jeff Goldblum has played some titanic characters over his 50-year career, and is celebrating a half-century on our screens by going bigger than ever. First he played Zeus in Netflix show Kaos, and now he's the Wizard of Oz in Wicked. Total Film meets the man behind the curtain...
STICKY SITUATION
Seven years on from his last big-screen appearance, marmalade's biggest fan returns for Paddington in Peru. Total Film talks to director Dougal Wilson, actor Hugh Bonneville and the visual-effects wizards who make the magic happen...
BORN TO BE WILD
BROTHERS IS THE MOST SURPRISING ACTION COMEDY OF THE YEAR, AND NOT JUST BECAUSE JOSH BROLIN AND PETER DINKLAGE PLAY CRIMINAL TWINS. TOTAL FILM ROUNDS UP THE STARS TO TALK ABOUT DYSFUNCTIONAL FAMILIES, THE 'HARD AS NAILS' COMEDIES THEY GREW UP WITH, AND MASTURBATING MONKEYS...
TRIPPING THE LIGHT FANTASTIC
ALL WE IMAGINE AS LIGHT Payal Kapadia's film shows the Mumbai you've never seen...
HUMPH DAY BOGART: LIFE COMES IN FLASHES
Behind every great man is a great woman. Or in Humphrey Bogart's case, four great women...
CALLING THE SHOTS
NEVER LOOK AWAY Lucy Lawless directs a bio-doc about a trailblazing camerawoman...
A FAMILY HEIRLOOM
THE PIANO LESSON Malcolm Washington's feature debut is all about family...