Vintage Strats were not always objects of desire. Clapton bought six in 1970 for a few hundred bucks, and EVH thought nothing of cannibalising a 1958 for the Frankenstrat. It took the likes of Hendrix and Blackmore revealing a Strat’s potential for the public to catch on. Strats require some finesse. JeffBeck proves the tremolo can stay in tune, but a poorly set up one can be a nightmare. Still, the Strat’s pickups cut through like little else, the tremolo was radically more efficient than previous designs, and it was light years ahead on playability and comfort. Even now, the Strat is still the benchmark electric guitar.
MONTEREY STRAT
Hendrix changed the world. This guitar was there...
Strats were not cool when Hendrix rocked up at 1967’s Monterey Pop Festival, associated with such achingly white acts as Buddy Holly and the Beach Boys. As he climbed on stage and reinvented the guitar, the Strat’s possibilities expanded in infinite directions. In the wrong hands, a Strat was thin and weedy, but Hendrix wrangled an almighty roar. Amateurs struggled with feedback at high volume; Hendrix turned it into music. Hank Marvin used the tremolo arm for tasteful bends; Hendrix was an alien invasion.
Denne historien er fra December 2020-utgaven av Total Guitar.
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Denne historien er fra December 2020-utgaven av Total Guitar.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
POSITIVE GRID SPARK 2
The sequel to the world's most popular smart guitar amp is here
JACKSON PRO PLUS XT SOLOIST SLAT HT6 BARITONE
We get low with this fast-playing, all-black modern metal machine
GUILD POLARA DELUXE
A’70s staple gets a bit of are-jig, o4 years after it was introduced
NEURAL DSP NANO CORTEX
Neural DSP's second pedal might be the ultimate compact all-in-one rig
EPIPHONE JIMI HENDRIX LOVE DROPS FLYING V
Prepare to kiss the sky with Epiphone's latest 'Inspired By...' model
JIMMY PAGE
\"I was using what was really meaty!\"
EDDIE VAN HALEN
“You either capture the vibe or you don't!”
MYTH BUSTERS: THE CABLE DESTRUCTION TEST
Need to know whether gear is worth your cash? Who you gonna call...
JOHN FRUSCIANTE'S LETTER FROM AMERICA
Our July 2006 issue featured none other than John Frusciante of the Red Hot Chili Peppers on the cover, with a line of text promising discussion of meditation, drugs, Hendrix and some chat about the band’s then-latest album, Stadium Arcadium.
CHALLENGE CHARLIE
Ata time when TC's staff were getting, frankly, rather silly, one man stood up to take on the daftest of all our challenges...