In many ways, it’s like the electric guitar didn’t really exist before him. Of course, Jimi Hendrix had his influences – Muddy Waters and Albert King to name just two. But it was Hendrix who radically revolutionized the instrument once and for all, and the impact he made in the late 60s has not been surpassed in all the years since.
It was Jimi who turned the six-string into a weapon, with its bullets cast in a melting pot of hot-rodded blues, molten fuzz and screaming psychedelia. No longer did the guitar feel like it was in the background, accompanying the rest of the band or adding melodies to help reinforce a lyric. It was now the undisputed star of the show. The guitar hero had arrived.
Born in Seattle on November 27th 1942, Johnny Allen Hendrix – renamed James Marshall Hendrix at the age of four – had a fairly unstable upbringing. It was actually a school social worker at the Horace Mann Elementary who noticed him carrying a broom around much like a guitar, and wrote to her seniors to request a real instrument for his psychological growth, using funding for underprivileged children. Sadly, her efforts failed. But a few years later, Jimi found an old ukulele with only one string, on which he started learning his favourite Elvis Presley songs. Eventually he acquired his first acoustic for $5, swiftly followed by his first electric – a white Supro Ozark – on which he started crafting his own style, built off what he’d learned from the likes of blues pioneers Howlin’ Wolf and Robert Johnson. “Sometimes you’ll want to give up the guitar,” Hendrix himself once admitted. “You’ll hate the guitar. But if you stick with it, you’re gonna be rewarded...”
Denne historien er fra May 2020-utgaven av Total Guitar.
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Denne historien er fra May 2020-utgaven av Total Guitar.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
POSITIVE GRID SPARK 2
The sequel to the world's most popular smart guitar amp is here
JACKSON PRO PLUS XT SOLOIST SLAT HT6 BARITONE
We get low with this fast-playing, all-black modern metal machine
GUILD POLARA DELUXE
A’70s staple gets a bit of are-jig, o4 years after it was introduced
NEURAL DSP NANO CORTEX
Neural DSP's second pedal might be the ultimate compact all-in-one rig
EPIPHONE JIMI HENDRIX LOVE DROPS FLYING V
Prepare to kiss the sky with Epiphone's latest 'Inspired By...' model
JIMMY PAGE
\"I was using what was really meaty!\"
EDDIE VAN HALEN
“You either capture the vibe or you don't!”
MYTH BUSTERS: THE CABLE DESTRUCTION TEST
Need to know whether gear is worth your cash? Who you gonna call...
JOHN FRUSCIANTE'S LETTER FROM AMERICA
Our July 2006 issue featured none other than John Frusciante of the Red Hot Chili Peppers on the cover, with a line of text promising discussion of meditation, drugs, Hendrix and some chat about the band’s then-latest album, Stadium Arcadium.
CHALLENGE CHARLIE
Ata time when TC's staff were getting, frankly, rather silly, one man stood up to take on the daftest of all our challenges...