Jack Garratt might have been weaned on Stevie Ray Vaughan’s heroic blues, but he is the sort of player who eschews fretboard pyrotechnics. Maybe that’s because with synth and drums, trombone and piano, Garratt has enough going on, but it makes him an unconventional guitar hero. He would probably resist the term, but he’s surely okay with being unconventional; it is what makes his sound his. After a hiatus, Garratt is returning with his much-anticipated sophomore record, Love, Death & Dancing, a record that sees his one-man polymath approach to songwriting write large across two volumes of music. While he was in Bristol for an intimate set at Thekla, he took a bit of time out to talk songwriting and where his guitar fits in. He’s worth listening to, because his control over his sound seems so assured. If he finds he is over-playing when trying to write a song, he’s not afraid to switch it up and write on piano instead. Having recorded his debut, Phase, in 15 days, DI’ing his guitar, creating drum patterns on synth keys, creating the illusion of room space digitally, Love, Death & Dancing was afforded the luxury of a more organic recording environment. And it sees him fall back in love with his guitar after a period in which it felt more an adversary than friend.
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Denne historien er fra May 2020-utgaven av Total Guitar.
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Denne historien er fra May 2020-utgaven av Total Guitar.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
POSITIVE GRID SPARK 2
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JACKSON PRO PLUS XT SOLOIST SLAT HT6 BARITONE
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JOHN FRUSCIANTE'S LETTER FROM AMERICA
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Ata time when TC's staff were getting, frankly, rather silly, one man stood up to take on the daftest of all our challenges...