Gabriel’s three ambitious movie soundtracks get the remastered, high-definition, 45rpm vinyl treatment.
SOME artists – particularly those at the peak of their careers – might view a soundtrack commission as a marginal side-project, something to be dashed off while you concentrate on your main album. Not so Peter Gabriel. For him, soundtracks have always been epic projects,which he can dive into and paddle around in for years. often he’d spend more time on them than on his multi-million-selling albums, meeting collaborators and developing methodologies that would have a profound effect on the rest of his music.
Indeed, much of the furlough between Gabriel’s fourth self-titled solo album, 1982’s ‘Security’, and his all-conquering 1986 opus, So, was spent on film contributions. He provided songs for two separate hit films from 1984 – a track called “Walk Through The Fire” for Against All Odds and “out, out” for Gremlins – both collaborations with producer Nile Rodgers. They inspired that high-end state-of-the-art digi-funk that would influence tracks like “Big Time” and attune Gabriel for the mTV generation.
His first full-length score commission, however, came from director Alan Parker for the ’85 film, Birdy, about two disturbed Vietnam vets who develop an avian obsession. Parker, recovering from a gruelling partnership on Pink Floyd’s The Wall, found Gabriel a rather more amenable creative partner than Roger Waters. “We got on so well, he’s such a sweet man,” said a relieved Parker of Gabriel. “It was a refreshing change – he doesn’t have any of the hang-ups or the unpleasantness of that particular business.”
Denne historien er fra August 2017-utgaven av Uncut UK.
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Denne historien er fra August 2017-utgaven av Uncut UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kim Gordon: La Ghosts & Flowers
As KIM GORDON prepares to release No Home Record – her brilliant debut solo album – she takes stock of her consistently adventurous career so far. To discuss: her early days in New York’s Downtown, cooking with Neil Young and the perils of gentrification. “Life is unexpected,” she tells Tom Pinnock
Tinariwen: Even Nomads Get The Blues
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Angel Olsen: Her Bright Materials
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“I Was Insatiable!”
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'I Was Pretty Bad At Being A Pop Star'
Riding high on the back of Bon Iver’s endorsement and his finest album in years, the piano master discusses the Grateful Dead, Bob Dylan, cryogenics and appearing in “some of the worst videos ever made”
The Go-Betweens - G Stands For Go-Betweens: Volume 2 – 1985–1989 Domino
Australian indie ambassadors’ golden age showcased in opulent style.
It's Too Late To Stop Now
Has VAN MORRISON mellowed at last? After yet another remarkable period in his ongoing creative renaissance, the Celtic soul warrior is on good form as he talks R&B, transcendence and mythical bootlegs with Graeme Thomson. “I didn’t know what the hell I was doing for quite a while,” he reveals
Robert Plant - Digging Deep
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Leonard Cohen - Thanks For The Dance
The poet’s intimate musical postscript.
'I'll Tell You The Full Story…'
During the past 12 months, a series of lavish boxsets have tracked DAVID BOWIE’s early development throughout 1968 and 1969. As this comprehensive archeological survey concludes with Conversation Piece, long-serving producer TONY VISCONTI relives the highs and lows of Bowie’s breakthrough. There are ham sandwiches, Marc Bolan impressions, the peerless “Space Oddity”, and tearful studio interludes… but, most importantly, we learn how the music made during this brief but pivotal period critically influenced one superstar in the making: David Bowie himself…