French artist Jean-Philippe Delhomme pulls off another sharp turn for Moncler’s A/W17 collection
When Moncler tapped Jean-Philippe Delhomme to create a series of Alpine-inspired prints for its A/W17 collection, the French artist’s illustrations took on a typically tongue-in-cheek persuasion. ‘The brand referenced a few ski resorts, like Cortina, St Moritz and Gstaad. I came up with characters and scenarios based around the excesses of skiing,’ Delhomme explains of his snow-topped social satire.
In one tableau, diners guzzling champagne watch as a zealous holidaymaker soars mid-ski jump over their table. In another, a fur coat- and hat-clad guest arrives outside the preposterous turrets of the Gstaad Palace hotel, a miniscule sausage dog in a Santa outfit in tow.
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Denne historien er fra September 2017-utgaven av Wallpaper.
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COOL RUNNINGS
Palace founder Lev Tanju is bringing his own unexpected brand of weirdness and love of eclectic mash-ups to Fila's new contemporary line
LIVING COLOUR
Mexico's San Miguel de Allende is home to a bold young crowd of talent that's thriving off the city's brightly-hued heritage
STARS ASCENDING
In a rapidly changing world, the route designers take to discover their calling is increasingly circuitous. We profile ten creatives forging their own paths to success
SUITE DREAMS
Cathay Pacific’s new aircraft interiors turn the inflight experience into an art form, upgrading the business-class cabin for the next generation of flyers
Brutal harmony
The Escheresque Italian villa designed by Fausto Bontempi for sculptor Claudio Caffetto
LOCAL HERO
London studio Holloway Li’s recent makeover of Polish hotel Puro Poznan is right up our street
STAR TURNS
An exhibition at Louvre Abu Dhabi unveils the stellar shortlist for this year's Richard Mille Art Prize
SCREEN GEM
A multifaceted residence in Beverly Hills puts the beauty of potentiality in the frame
SOFT SPOT
We've taken a shine to Bottega Veneta's collaboration with Flos on a special edition of a Gino Sarfatti lamp
Between the lines
Frequently drawing comparisons with Francis Bacon, painter George Rouy is gaining peer points for his use of classic techniques to distort the human form
